Jeff is reclaiming his unique digital identity with a sense of clarity.

Studio Tip – Get Rechargable Batteries – And use them!… Also get organized…

If you have a digital camera, mp3 player, voice recorder, or even a cell phone, you probably already realize how important it is to have batteries that work on hand at all times. If you ever get in to creating stock photos or just using a digital camera or video recorder to give you source material to work with in whatever form of art you work with, this becomes even more important.

I can’t tell you how many times when shooting digital stock photos that I was out clicking away with a camera in a park or downtown somewhere and the camera I had on hand quit working because I ran out of battery power. That is a huge annoyance, especially if you like shooting clouds like I do, and you are in a time when the sun is either rising or setting, so each second lost that you did not get a shot of is gone forever because the clouds shift on you constantly and/or the “magic hour” changes dramatically as your big lightsource, the sun, is moving quickly under or over the horizon. “Magic Hour” really is not an hour. Twilight hours of sunset can cause dramatic changes in the light and way that things look on the horizon, and everywhere else outside in literal minutes or seconds.

My advice is that you have a lot of rechargeable batteries on hand and a couple of rechargers for them, and use the rechargers often. Some people say that rechargeable batteries have some sort of memory thing in them and remember how long each recharge took, so it’s bad to put the batteries in to the recharger before the battery is completely worn down. For some batteries, that may be true, but for most regular AA and AAA rechargable batteries, I don’t think that’s really quite the truth. I typically recharge my batteries when the camera shows that they are about down to one quarter power and have never really had a lot of problems. Of course, I am constantly recharging some batteries, so it’s hard for me to tell if that is an issue…

I have two rechargers. One of them holds a lot of batteries and I keep it at home, the other only holds four batteries, but it has a plug in that folds down. I keep that one in my camera bag, and carry it with my camera so that I can plug in at any time, anywhere. The bigger recharger is too large to do that with. However, I keep the bigger recharger full a lot of times and rotate out batteries from there often. I basically try to keep a handful of batteries charged at all times. If some of the the batteries sit unused for a few weeks, I go ahead and recharge the pile anyways so that they are ready when I need them.

Storing a bunch of batteries in a camera bag is a major pain, especially since most of the time, when you buy batteries they come in boxes that are meant to be thrown away after being open. For storage at home, I keep the clear plastic part of the boxes that the batteries came in, and might cut that down to size, and fit it inside of a Altoids box. Those little metal boxes that Altoids come in make fine battery holders since they are just big enough to hold a few AA or AAA batteries and still allow the lid to close. You would think the metal boxes would shock me since I’m putting batteries in them, but so far, I’ve never had any shocks or anything, so I guess the paint or ink they use on the box must not conduct electricity. Even if it does, I’m putting plastic liners from the boxes the batteries came in between the actual battery itself and the metal of the box, so that makes it all work well. To keep the Altoid boxes closed, I simply rubber band them shut.

I used to keep at least one of those Altoid boxes in my camera bag, but lately, I’ve gone to not keeping those in the camera bag since they are a bit of a hassle to mess with out in the field, especially as the rubber bands age, get weaker, and break, leaving the batteries to roam free in the camera bag, where all sorts of potential problems could happen if the acid ever did leak…

Now, in the camera bag, I keep the two batteries in the camera that the camera requires, and keep two batteries in each of the two voice recorders I carry in the bag, for a total of four spare batteries, or two battery swaps between the voice recorders and the camera in case the camera battery charge runs down. I find this ideal since the batteries are stored nicely away in the recorders, and if I do feel the need to use the recorder to record my own voice for notes or just feel like recording something out and about, like a bird chirping, a motorcycle whizzing by me, or whatever, I can just pop out the recorder and it’s ready to go. The reason I have two recorders is that I bought one, thought I lost it, bought a second one, and then a few months later, discovered where I had put the first one… It’s funny how that happens sometimes with little gizmos and gadgets.

If you don’t have a vocie recorder, but have some other tiny gadget that uses the same sort of battery as your camera, you might look in to getting something like that to hold your batteries so that you don’t risk having the batteries just jubmled in the camera bag or case, ready to give some nice acid burns to your camera or whatever else is in there. I’ve only seen a battery leave an acid burn on something one time – it was an old plastic mug that I used to store non-rechargeable batteries in many years ago before I started using rechargeable batteries. The marks it left as the acid dug in to the plastic of the cup were horrible looking. It’d really suck to see something like that happen to a digital camera.

Other things I keep in the camera bag other than the camera, the voice recorders, and the little battery recharger are the top part of a big tripod that actually attaches to the bottom of the camera, and a mini-tripod. I also keep a couple of thumb drives and spare digital camera chips in there to make it easy to store things. The thumb drives are attached via a little stretcy cord that the casino gives out with it’s cards for people to use to remember to not leave their casino cards in the slot machines. I like that because it keeps me from loosing the thumb drives as they are attached to the camera case.

I actually have 3 camera cases. The first one is a little one that holds my little bitty camera itself and came with the camera. It’s very flimsy, but I keep it on there to cover the lens. I put the camera and that little case in to the second case, which is a big bigger and is what I mainly use to carry the camera around my neck when out and about. The third is a Polaroid camera case that I keep the other case in. I use it because it’s big enough to hold the littler case and a few other odds and ends – the tripod top and voice recorders, mentioned above.

I have an entirely seperate bag that I use to keep color pencils and sketch books in the car. At one point in time, I tried to avoid using the Polaroid case, and just put the little camera case in that bag, but that got to be too much of a hassle. Now I just leave the color pencil and sketchbook bag in the back seat of the car, and take the Camera in and out of the car, and with me wherever I go so that it’s handy, and does not get left in the car during hot/cold temperatures that could damage the electronic equipment inside.

At home I have a few toolboxes that I use to keep other things around the house/studio organized. I love the big tool boxes with different slots in them – nice way to organize pastels, pencils, ink pens, etc.

When I was in college, I used to haul a lot of big sketch pads, drawings, and some paintings in a plastic portfolio that I carried around campus to class. That was a major hassle since the classes were in various buildings scattered around campus and my apartment was several blocks away. Carrying big portolios is a tough enough job by itself since they are big and bulky… That only gets worse as you get more and more things in there to carry. You would think paper, being as thin as it is would not be heavy in big bulks, but you would be wrong… especially on humid days when the paper absorbs a lot of moisture just to make itself heavier for you. To make that walking around campus more handy, I ended up taking a duffel bag strap and attaching it to the portfolio handles. That made it much easier to handle the bag and still carry other things like books that I needed to take to class. I have NO idea why porfolio making companies have not made it an industry standard to put shoulder straps on portfolios yet. It’s something that really is needed to help make it easier for all those art students and aspiring artists everywhere be able to carry their stuff. Some Art Directors might like the neat little polished look of the little bitty handles on portolios, but I suspect that they would like the portfolios a lot more if the artists were more comfortable actually walking around with the portfolios so that they could bring them in more often, and have a descent amount of work in the portfolio to show off. I know a lot of artists aching backs and shoulders would be thankful if big art portfolio started getting made with shoulder straps.

Getting organized, and able to transport your art making supplies, is one key to creating great art. A tool such as a camera, voice recorder, pastel, conte crayon, paintbrush, or color pencil is not very useable if it’s buried in the back of a closet in a box underneath of a lot of other things. Each individual artist has to come up with their own organizational strategy that fits their own personalities and needs. If you are not organized yet, you might look at ways that you can start getting that way in the near future. It really can help you be creative when you have tools that are handy that you can grab any time and just start using. Digging around for stuff is a major hassle.

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