These notes accompany the Eisenstein Double Bill program, which screens on March 3, 4, and 5 in Theater 3.
(1898–1948) is a special case in many ways. He was undeniably one of the geniuses of the early cinema. As a theoretician, he wrote voluminously, positing his theory of montage (editing), derived from the work of D. […] http://bit.ly/cEKozG
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