Working on scanning some more sketchbook stuff. I’ve started scanning a whole bunch of pages at a time since I can fit 5 to a scan if I position them right. Later, I’ll do the cropping and rotating to get them all out to where they need to be. One thing that was slowing me down earlier was that I was scanning each little image individually. That just takes too darn long for the number of scans I’m taking. Hopefully this new way of doing things will speed the process up a bit.
Dsculptor is another program that does this too.
I have an old copy of the version 1 of Dsculptor that I got off of a magazine cd a long time ago, and have a copy of Imodeler that I purchased a few years back…
Up until now, I’ve know it was easy to blow up the D-sculptor template since the version 1 template was basically a sqaure that was bisected a couple of times, but I had lots of problems trying to figure out how to blow up the imodeler template.
Well, now that’s no longer the case. I have been emailing the developer of Imodeler, and they gave me the dimensions. Since it’s simply a “list” it should be ok to post here as far as copyright/trademark stuff goes. Also, they should be thanking me since their site does not list these dimensions exactly outright, so it’s hard for me and a lot of others to blow this thing up to get models of cars, people, etc. up til now…
Here’s the dimensions for the template according to the email (part of the reason I’m posting this out here instead of just keeping the email is that the email may get deleted on accident someday?…)
The points are all 1 “unit” wide and at the following positions (in the same units – be it cm or inches):
First number is along the axis pointing towards right, second up.
We had people scanning forklifts with this pattern, so bigger objects are definitely possible.
Have a good time trying to build that template! I’m so glad that this info is out here now. It would have been so very handy many years ago when I first got in to this stuff..
I’ve been playing around with swapping operating systems, dual booting and stuff lately. Here’s a tip – find some forums with knowledegable people. Some folks think they know what they are talking about and others really do know. Ask around multiple places if you ever run in to problems. Also, remember the ol’ saying, “If you always do what you’ve always done, you’ll always get what you always got.”… on other words sometimes just changing one little thing can sometimes change everything. I have been trying to install a sound driver for the last few days, and kept hitting a roadblock. Turns out that instead of picking the folder for Windows to search in, I had to actually tell Windows to not search and that I’d pick the right driver, even though it was the same blasted place that the search was looking in and not finding… Can’t tell you how many times I hit that roadblock and kept coming back to it, doing the same thing over and over… sometimes things are MUCH SIMPLER then we think they should be.
http://docs.google.com/document/pub?id=1J9ovugJkezH1X4V480fnq3GqiihCSmpdc5RT9jf2Zso – KEYWORDS LINK… posting it over in google instead of here since I don’t want this blog to become a spammy, overloaded keyword magnet.
Worked on cleaning up the basement a bit over the weekend. It still has a long ways to go, but I did manage to free up some floor room that can become the beginnings of a painting studio again, and also might work out as a dance floor/workout place for using workout videos. I’m thinking it’ll be smarter to do that sort of stuff down in the basement where the floors are concrete…
The Dictionary of Imaginary Places: The Newly Updated and Expanded Classic
is one of the BEST books on fictional places. Lots of interesting maps and various descriptions. If you like fantasy, fiction, or role playing, this is a must have. I used this book a lot back in college when role playing and also for just plain entertaining reading. Love it.
I posted a couple of delicious links about walnut oil – it’ll be visible at
http://www.mastermesh.wordpress.com within 24 hours or so. I’m thinking about starting to get in to oil painting again, but am looking for a healthier way of doing it then the typcial way since the area that would be the studio does not have a lot of ventilation, actually NO VENTILATION unless I open a door and turn on a box fan. If Walnut oil is safer then oderless turpentine, or other types of oils, I think I might have to look in to using it… I don’t necessarily like shiny paintings, which is why I used to never put damar varnish or any varnish on top of paintings, so that they kept the matte look to them… or mixed the matte look with shiney look via use of oil in certain locations on the picture plane. However, if it’s safer to go shiney with stuff like walnut oil, I might have to try it out. I’m not sure how the heck I’ll scan or photograph the stuff since the glare will be awful in the mirrored surface reflections, but it might work out?!?… Anyone out there tried to oil paint with Walnut Oil yet? I’d love to hear how it worked for you.
Various Times that I can remember being told to stop taking photographs, or stop doing something else artistic…
– New York City on Spring Break back in college. I was trying to photograph something in the Metropolitan Museum of Art and was told to not flash the camera. Apparently, there, you are allowed to take photos, just not with the flash on.
– Turbosquid. I had a photo of building on there. It had a car somewhere in the photo, taking up a very small portion of the picture plane. Ford sent Turbosquid a Cease and Desist Letter asking that it be taken down, and so they took it down and emailed me notifying me that that was done and why. Nowadays, I try to avoid anything with logos or trademarks on it if possible, or if I shoot them, I purposefully try to just hone in on some image that is not clearly apparent what the picture is of… for instance I might zoom in on spokes of the wheel hub but avoid taking a photo of the entire hub that shows the name of the company, or I might take photos of brick textures and avoid the name of the brick manufacturer, or just go for something natural that no one has the right to – like tree bark, cement, asphalt, grass, clouds, or similar textural type of things.
– behind Columbiana Apartments. I used to live at Columbiana Apartments in Columbia, Missouri, several years ago. It’s near Stephens’s Stables on Old 63, right next door to the BXR Radio Station. I took photos of some clouds out there sometimes, especially when crazy Spring weather came around. I was shooting some upside down tornado-like clouds one day (looked like twisters, but they were funnelling upwards instead of down towards the ground) and got told to stop shooting back there by a lady next door because she thought I was aiming the camera too close to the place back there, which was violating privacy. Apparently, there’s a homeless shelter back there. I didn’t know prior to that incident that that is what was housed in that building…
– Columbia Mall. I was taking some pictures of clouds. I love taking pictures there or in similar places, like overpasses, where there’s no trees in the immediate vicinity blocking the view to the sky. Some guy thought I was taking a photo of him and yelled at me as he drove by. I simply told him that it’s a digital camera and that I hit delete… He gave me the bird and yelled some obscenity before driving off. Kind of funny that someone would do that when the mall itself is constantly taking security pics of everything in the place. If I ever do get someone in a photo, I try to not put that online, or if I do, edit that person out unless I have permission because I don’t want to get hit with privacy lawsuits later.
– A few times people have seen me drawing in crowded locations, and came up asking me about it. Usually, when I used to draw people, such as in the mallsmall sketchbooks – mainly drawn on breaks in cafeterias, at the mall cafe court, or similar public locations, I did quick sketches so it was hard to tell who I was drawing and/or there was so few details, and I could quickly close the book. Usually, most people are actually happy to figure out I’m drawing them if they do put 2 and 2 together… admiration type of thing. I’ve never had someone tell me to directly to stop this sort of activity. However, it is a little embarassing if you do get caught red handed doing that sort of thing. I have not done this type of thing for several years now, but might get back in to it someday since my drawing skills have gone downhill lately due to lack of practice.
– Once back in college, I did a quick little “show” that was not publicly announced or advertised. I simply asked the Art Department for permission to put up an exhibit in one of the halls where there was room for that sort of stuff. When I put it up some people looked at me weirdly and talked about it at a distance as if I could not hear them. No one actually said don’t do that though.
It was very interesting seeing how people going between classes reacted. I didn’t put up a nameplate or anything explaining who did the work or the title. I just walked the halls on various occassions when it was up to see reactions.
It was a small series that I called “Work In Progress”, or WIP – it was a series of parts of a canvas stretcher. The first part was one board, the next part, two boards forming an L shape, the next side, 3 boards, and the last part 4 boards. It was colored with acrylic paint that I airbrushed on there. No actual canvas was on the stretchers. It was just the idea of putting together the stretcher, and the work involved in that that was the focus/theme of the work. I painted the first part a light blue, next part blue on first part of the L and faded in to red on the second part of the L with a nice transition… Third part that had 3 sides showing more of the fade, and start of orange, and 4th part showing full color spectrum with primary colors faded from one in to the other… the idea was sort of that the creating of a canvas is in and of itself a work of art. Some parts of that still exist. Other parts have been torn apart since I kept it at my parents house for storage, and dad found another use for some of the 2x4s in it without asking me if he could tear it apart first… 😦
Someday, I would not mind doing another progressive piece like that again.
Luckily, I didn’t offend anyone directly with WIP. About 2 weeks after I took that down, another art student put a painting up in the same location, and it irritated the someone enough that the painting got taken off of the wall and thrown in to a trash bin below the balacony walkway between the building that this hallway that was on the second floor of Baldwin hall, and the next building over. If I remember correctly, that was Kjell Hahn’s painting of a nun in a slightly erotic pose or something similar to that. It was rumored at the time that the janitor did it, but no one had any proof… (edit 6/25/2014 – edited the link to Kjell’s site above to an internet archive version. Kjell is on facebook if you need to contact him.).
The janitor of Baldwin hall made himself appear to be a bit grumpy at times, but I think honestly, he was just a quite guy… and he actually had a bit of an interest in the arts or else he would not have kept that job, being seen listening to some of the music from the music students and looking at some of the art from the art students.
Back then in the 1990s (things have changed now) Baldwin Hall was the main art building at Truman State University… The top floor was the art student’s realm. The second floor was the music student’s realm, and the first floor and basement were the theater department’s realm. Across the quad, Ophelia Parish is where the art gallery was, but most of OP was just a big storehouse that was never done. Since then, they’ve converted OP in to the main art building… Not sure if sculpture classes are there though. Sculpture used to be in a building all the way on the other side of the campus, across the street – probably a half mile walk or so down the road. It used to be a pain to carry portolios and art toolboxes from Baldwin to the other building and back, so I put a bookbag strap on my portolio, and another on my toolbox that carried my art supplies and walked all over the place with that… One of the biggest gripes I had about Truman when I left was that the art students didn’t have descent sized lockers anywhere, and could not really store art supplies in dorm rooms – at least not legally if they went 100% by the contract with the housing people… major pain for those of us that liked to make big works of art. Most of my painting back then were around 2-3 feet wide, One was actually 6′ x 6′, and some of my sculptures were similar lengths in size…
The last two years I was up there at Kirksville, I actually had to rent a storage shed out on the edge of town to store my stuff.
I highly doubt that storage problem has gotten any better since then, but for the amount of money that college kids give the school to live there, they should fix it someday… if nothing else, the school should get in to some sort of discount deal with the storage places in the area to get college kids a discount.