Self Portrait in Red and Blue © 2006 Jeff Thomann
Media: Oil Painting
Artist’s Statement: http://jeffthomann.cwahi.net/artfolio/selfportraitinredandblue.shtml
Cafepress Shop Based on this artwork: http://www.cafepress.com/portraitinredandbluebyjeffthomann
I created this work back in 2006 as a way of keeping my oil painting hobby going. At the time that I created this work I didn’t have the best studio to work in. We had purchased a house with a large basement that I was trying to use as a studio, but it was dark, moldy, and had a lot of dust and mildew in it. I did light up the place with some hanging lamps, but it still was definitely not the best place in the world to be doing oil painting since there was not much ventilation. There was a small garage door that I put fans nearby but this was still a horribly ventilated area. I fondly remember smelling the chemicals from the studio one floor up in the main living room several days after I created this work… that was something Tekla and Genesis didn’t care for too much. After that incident I went to trying to do works that require less fumes such as acrylic, color pencils, etc.
I believe that this painting was exhibited at the Columbia Art League the year that it was created.
Table from the BFA Exhibition © 1999 Jeff Thomann
Media: Oil Painting
Artist’s Statement: http://jeffthomann.cwahi.net/artfolio/BFA2.shtml#1
Cafepress Shop based on this artwork: http://www.cafepress.com/tablebyjeff
This Work was one of several in a series I created for my BFA exhibition back in 1999. The BFA show was based on images from my dreams that I tried to remember via a dream journal/sketchbook. I’m not exactly sure what the symbol on the paper that the hands are holding means, but it was a part of the dream that I remember in detail, along with the composition of the painting including that window in the distance that sort of backlit the room, making it difficult to make out the details of the features on the individuals in the meeting room. The framing of the room is odd looking as the walls don’t seem to match up, but that too was a part of the dream.
In many of my dreams the architecture and location of images in a composition I see in detail seem to have some sort of deep and profound meaning to me. At the time that I created the BFA show I was studying Carl Jung’s theories on dream archetypes. I believe that both a location in a dream as well as the individuals can become archetypes. That is why we have dreams that are located in the same, or very similar settings multiple times throughout our lifetime.
I do not practice magic or the black arts (well at least not directly even though art creation itself is a bit of a magical act in some ways), but do sometimes read about these things as they interest me somewhat since they are sort of related to psychology and art history, both of which are topics I have a lot of interest in…
I think that new age ideas about astral kingdoms created via meditation practices are directly related to lucid dreaming techniques that we all experience at some point in our lives and that the architecture, objects, and figures (archetypes) we see and interact with in our dreams can play somewhat of a major role in the worldview and in that way can psychologically help us alter the world around us… but it’s not truly ‘magic’ – it’s psychological manipulation and self therapy techniques that can alter the way we think about the world as the objects, places, and things in our dreams are really our subconscious thought patterns communicating with our conscious brain, picking up patterns and connections that we may never have noticed before, allowing us to become aware of things in a new light that we have not seen them before consciously, etc. Dreams can and do play a role in our waking world realities every day whether we acknowledge it or not.
Oil on Canvas
© 1999, Jeff Thomann
This image was one of the 3′ x 3′ works I did for my BFA show. This, along with the other images in the show were derived from dream imagery. I had started several dream journals in college, and the images for this show were painted versions of some of the images from those journals.
Capturing dreams in a journal is not always easy. I ‘cheated’ a little some of the time that I was doing these images since I had to come up with some of the dreams to put in to the paintings. I did this by sleeping with the lights on and covering my eyes when I slept, and I kept the sketchbooks and journals next to me within an arms length of where I was sleeping, and would start writing as soon as I awoken from a dream. Covering the eyes while the lights were one forced me to remember the dreams as I awoke when the light hit me eyes. However, I had to work quickly to put the dreams down in the book as quickly as possible before my conscious waking mind took over the subconscious train of thought and started putting too much ‘real world’ left brained stuff in to the images and cause/effect relationships and stories beyond what the dream actually contained that I was trying to capture. You have a very short span of time to do that sort of thing if you dream journal as the waking mind sort of takes over within 5-10 minutes or so after you wake up.
There is a lot I learned about dreams in doing this. My dreams are very much based on architectural ideas and archetypes. Many times multiple people in real life will join in to one being in a dream… creating a construct of sorts.. and these archetypes/constructs play roles. Dreams really do have a meaning and reflection that comes from the waking world, and there is a method to them. If you every try to dream journal, you can learn this methodology and the meaning behind the dreams. Most dream interpretation books are way off. It’s much much more personal than any of those can every really get to the real reality of because every person’s personal archive of images that they draw upon from their own waking lives is unique to them… I might make more posts about this in the future. There is a LOT to dream journaling.
Various Times that I can remember being told to stop taking photographs, or stop doing something else artistic…
Various Times that I can remember being told to stop taking photographs, or stop doing something else artistic…
– New York City on Spring Break back in college. I was trying to photograph something in the Metropolitan Museum of Art and was told to not flash the camera. Apparently, there, you are allowed to take photos, just not with the flash on.
– Turbosquid. I had a photo of building on there. It had a car somewhere in the photo, taking up a very small portion of the picture plane. Ford sent Turbosquid a Cease and Desist Letter asking that it be taken down, and so they took it down and emailed me notifying me that that was done and why. Nowadays, I try to avoid anything with logos or trademarks on it if possible, or if I shoot them, I purposefully try to just hone in on some image that is not clearly apparent what the picture is of… for instance I might zoom in on spokes of the wheel hub but avoid taking a photo of the entire hub that shows the name of the company, or I might take photos of brick textures and avoid the name of the brick manufacturer, or just go for something natural that no one has the right to – like tree bark, cement, asphalt, grass, clouds, or similar textural type of things.
– behind Columbiana Apartments. I used to live at Columbiana Apartments in Columbia, Missouri, several years ago. It’s near Stephens’s Stables on Old 63, right next door to the BXR Radio Station. I took photos of some clouds out there sometimes, especially when crazy Spring weather came around. I was shooting some upside down tornado-like clouds one day (looked like twisters, but they were funnelling upwards instead of down towards the ground) and got told to stop shooting back there by a lady next door because she thought I was aiming the camera too close to the place back there, which was violating privacy. Apparently, there’s a homeless shelter back there. I didn’t know prior to that incident that that is what was housed in that building…
– Columbia Mall. I was taking some pictures of clouds. I love taking pictures there or in similar places, like overpasses, where there’s no trees in the immediate vicinity blocking the view to the sky. Some guy thought I was taking a photo of him and yelled at me as he drove by. I simply told him that it’s a digital camera and that I hit delete… He gave me the bird and yelled some obscenity before driving off. Kind of funny that someone would do that when the mall itself is constantly taking security pics of everything in the place. If I ever do get someone in a photo, I try to not put that online, or if I do, edit that person out unless I have permission because I don’t want to get hit with privacy lawsuits later.
– A few times people have seen me drawing in crowded locations, and came up asking me about it. Usually, when I used to draw people, such as in the mallsmall sketchbooks – mainly drawn on breaks in cafeterias, at the mall cafe court, or similar public locations, I did quick sketches so it was hard to tell who I was drawing and/or there was so few details, and I could quickly close the book. Usually, most people are actually happy to figure out I’m drawing them if they do put 2 and 2 together… admiration type of thing. I’ve never had someone tell me to directly to stop this sort of activity. However, it is a little embarassing if you do get caught red handed doing that sort of thing. I have not done this type of thing for several years now, but might get back in to it someday since my drawing skills have gone downhill lately due to lack of practice.
– Once back in college, I did a quick little “show” that was not publicly announced or advertised. I simply asked the Art Department for permission to put up an exhibit in one of the halls where there was room for that sort of stuff. When I put it up some people looked at me weirdly and talked about it at a distance as if I could not hear them. No one actually said don’t do that though.
It was very interesting seeing how people going between classes reacted. I didn’t put up a nameplate or anything explaining who did the work or the title. I just walked the halls on various occassions when it was up to see reactions.
It was a small series that I called “Work In Progress”, or WIP – it was a series of parts of a canvas stretcher. The first part was one board, the next part, two boards forming an L shape, the next side, 3 boards, and the last part 4 boards. It was colored with acrylic paint that I airbrushed on there. No actual canvas was on the stretchers. It was just the idea of putting together the stretcher, and the work involved in that that was the focus/theme of the work. I painted the first part a light blue, next part blue on first part of the L and faded in to red on the second part of the L with a nice transition… Third part that had 3 sides showing more of the fade, and start of orange, and 4th part showing full color spectrum with primary colors faded from one in to the other… the idea was sort of that the creating of a canvas is in and of itself a work of art. Some parts of that still exist. Other parts have been torn apart since I kept it at my parents house for storage, and dad found another use for some of the 2x4s in it without asking me if he could tear it apart first… 😦
Someday, I would not mind doing another progressive piece like that again.
Luckily, I didn’t offend anyone directly with WIP. About 2 weeks after I took that down, another art student put a painting up in the same location, and it irritated the someone enough that the painting got taken off of the wall and thrown in to a trash bin below the balacony walkway between the building that this hallway that was on the second floor of Baldwin hall, and the next building over. If I remember correctly, that was Kjell Hahn’s painting of a nun in a slightly erotic pose or something similar to that. It was rumored at the time that the janitor did it, but no one had any proof… (edit 6/25/2014 – edited the link to Kjell’s site above to an internet archive version. Kjell is on facebook if you need to contact him.).
The janitor of Baldwin hall made himself appear to be a bit grumpy at times, but I think honestly, he was just a quite guy… and he actually had a bit of an interest in the arts or else he would not have kept that job, being seen listening to some of the music from the music students and looking at some of the art from the art students.
Back then in the 1990s (things have changed now) Baldwin Hall was the main art building at Truman State University… The top floor was the art student’s realm. The second floor was the music student’s realm, and the first floor and basement were the theater department’s realm. Across the quad, Ophelia Parish is where the art gallery was, but most of OP was just a big storehouse that was never done. Since then, they’ve converted OP in to the main art building… Not sure if sculpture classes are there though. Sculpture used to be in a building all the way on the other side of the campus, across the street – probably a half mile walk or so down the road. It used to be a pain to carry portolios and art toolboxes from Baldwin to the other building and back, so I put a bookbag strap on my portolio, and another on my toolbox that carried my art supplies and walked all over the place with that… One of the biggest gripes I had about Truman when I left was that the art students didn’t have descent sized lockers anywhere, and could not really store art supplies in dorm rooms – at least not legally if they went 100% by the contract with the housing people… major pain for those of us that liked to make big works of art. Most of my painting back then were around 2-3 feet wide, One was actually 6′ x 6′, and some of my sculptures were similar lengths in size…
The last two years I was up there at Kirksville, I actually had to rent a storage shed out on the edge of town to store my stuff.
I highly doubt that storage problem has gotten any better since then, but for the amount of money that college kids give the school to live there, they should fix it someday… if nothing else, the school should get in to some sort of discount deal with the storage places in the area to get college kids a discount.
The Exhibits Tag and Category of this blog is reserved for artwork that I have enterered in to various exhibits. I will try to mention in each individual posting, or in the first comment of each posting which exhibits each item was in. I will also try to create a tag, and possibly as category for each individual exhibit. However, the main exhibits tag and category will be applied to all works that were in any exhibit.
Similarly, I’ll try to tag each item with a tag denoting the original year that the item was created. By default I’m tagging all artwork that I know that I created in College with the college and 1999 tags since I graduated in December, 1999, and I might not be able to pinpoint the exact year between 1994-1999 that the college artwork was created. (Yes, it took me 5 and years to graduate from college, but that’s mainly because I took a few extra classes in order to get a theater minor).
Artwork created in Highschool will be tagged with the tags 1994 and highschool because I graduated from highschool in 1994.