Self Portrait in Red and Blue

Self Portrait in Red and Blue © 2006 Jeff Thomann, Media: Oil Painting
Self Portrait in Red and Blue © 2006 Jeff Thomann
Media: Oil Painting

I created this work back in 2006 as a way of keeping my oil painting hobby going. At the time that I created this work I didn’t have the best studio to work in. We had purchased a house with a large basement that I was trying to use as a studio, but it was dark, moldy, and had a lot of dust and mildew in it. I did light up the place with some hanging lamps, but it still was definitely not the best place in the world to be doing oil painting since there was not much ventilation. There was a small garage door that I put fans nearby but this was still a horribly ventilated area. I fondly remember smelling the chemicals from the studio one floor up in the main living room several days after I created this work… that was something Tekla and Genesis didn’t care for too much. After that incident I went to trying to do works that require less fumes such as acrylic, color pencils, etc.

I believe that this painting was exhibited at the Columbia Art League the year that it was created.

Table from the BFA Exhibition

Table from the BFA Exhibition
Table from the BFA Exhibition © 1999 Jeff Thomann
Media: Oil Painting
This Work was one of several in a series I created for my BFA exhibition back in 1999. The BFA show was based on images from my dreams that I tried to remember via a dream journal/sketchbook. I’m not exactly sure what the symbol on the paper that the hands are holding means, but it was a part of the dream that I remember in detail, along with the composition of the painting including that window in the distance that sort of backlit the room, making it difficult to make out the details of the features on the individuals in the meeting room. The framing of the room is odd looking as the walls don’t seem to match up, but that too was a part of the dream.

In many of my dreams the architecture and location of images in a composition I see in detail seem to have some sort of deep and profound meaning to me. At the time that I created the BFA show I was studying Carl Jung’s theories on dream archetypes. I believe that both a location in a dream as well as the individuals can become archetypes. That is why we have dreams that are located in the same, or very similar settings multiple times throughout our lifetime.

I do not practice magic or the black arts (well at least not directly even though art creation itself is a bit of a magical act in some ways), but do sometimes read about these things as they interest me somewhat since they are sort of related to psychology and art history, both of which are topics I have a lot of interest in…

I think that new age ideas about astral kingdoms created via meditation practices are directly related to lucid dreaming techniques that we all experience at some point in our lives and that the architecture, objects, and figures (archetypes) we see and interact with in our dreams can play somewhat of a major role in the worldview and in that way can psychologically help us alter the world around us… but it’s not truly ‘magic’ – it’s psychological manipulation and self therapy techniques that can alter the way we think about the world as the objects, places, and things in our dreams are really our subconscious thought patterns communicating with our conscious brain, picking up patterns and connections that we may never have noticed before, allowing us to become aware of things in a new light that we have not seen them before consciously, etc. Dreams can and do play a role in our waking world realities every day whether we acknowledge it or not.

Self Portrait with Cabin in Background

Photobucket
Self Portrait with Cabin in Background
Acrylic, Watercolor, Pastel, and Charcoal on Cardboard
© 1999, Jeff Thomann

Triple Self Portrait

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Triple Self Portrait
Pastel on Paper
© 1999, Jeff Thomann

This drawing was created in Missouri Hall at Truman State University in Kirksville, MO. It was done for a drawing class. I was in to ‘role playing’ a little at the time. The figures in the background were playing Dungeons and Dragons, and I was halfway playing that too.. Needless to say the gaming group was not too happy that I was drawing while they were actively sitting around the table, lol. That was about my extent in role playing D&D. I never could get too much in to it. I hated that all of their books were so expensive and usually hard back while Palliadium books were usually 20 bucks or less and soft back, so much cheaper. That, and I just liked the whole playing in modern environment vs the old medieval ideas in D&D…

as far as the cracked mirror/split mirror idea goes, it’s something that’s a theme in some of my self portraits. It’s a visual metaphor that has a lot of different meaning.

Bottomless Self Portrait


Bottomless Self Portrait
Acrylic on Canvas
© Y2K, Jeff Thomann

This was an acrylic painting that I created when I was entering my ‘bottomless paintings’ phase. I was really interested in trying to figure out ways to create compositions that had no one right side up. I still get on that kick sometimes.

BHS

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BHS
Oil on Canvas
© 1999, Jeff Thomann
BHS is one image from a series of paintings I created for my BFA show back in College in 1999. It was based on a dream. BHS is the name of this since the background was sort of similar to a locker hallway in Boonville High School where I attended high school.

encaustic

I’m over on http://encausticart.ning.com/ now as I’ve started to take up encaustic painting a little. Bought a wood burner yesterday to help out with that a bit. http://www.walnuthollow.com/23906creativeversa-tool.aspx Got it at Michaels. There’s a lot to it, but I think I love encaustic because it’s possible to do lots of layering, lots of reworking, and it has potential to be just as complex if not more so then oil painting but the stuff drys instantly so much can be done in a short amount of time.

I like the creative versa tool (link above) because it does the same that the enkaustikos pens do with the temperature control, but for about 1/3 the costs, and a lot less on shipping since we only live a block away from Michaels.

(I will probably get the Encaustikos Flow Pen someday though since I’ve not seen anything else like it on the market yet… but maybe not since it costs so much if you add in the cost of the temperature regulator — why don’t they just add the regulator to the pens like Walnut Hollow did with the versa tool?)

Galveston Harbor

Galveston Harbor, © Jeff Thomann, 2011
Galveston Harbor, © Jeff Thomann, 2011

Media: Watercolor Pencil, Color Pencil & China Marker

I still don’t think this image image is ‘done’ but it’s getting close to where I want it to be. I’ve reworked it many times. I’ve been technically working on it about 2 or 3 months, but most of that time I was just looking at it. Since I started The Artists Way again this week I’ve been working on it an hour or two every morning and night, every day.

I have no idea how many real working hours have been put in to it, but there’s been a lot. I’ll put multiple layers in, erase them out, scatch out highlights with a burnisher, add more color, erase out some with an electric eraser, add more color areas, rework, etc. The gesso in the foreground has probably lost most of it’s tooth, as has most of the ‘water’ area to the left, but I keep adding new marks to it all the time, so I may have another few hundred hours of work to put in to it before all is said and done?… I’ll probably move on to some other artwork for now so I don’t really overwork it beyond a point that I can’t fix it any further. The scan was taken without any fixative added. I hate how shiny color pencil glare causes an image to really get a lot darker looking in the scan then it is in reality. The image is based on a couple of photos that I’m putting together in to one image in the drawing. I’m trying to be careful to leave some of the white of the underlying gesso. Most of the cloud area is almost pure white from the gesso with very little color pencil. I probably need to rework the middle ground and the ship in the background a lot more, but maybe not since some atmospheric perspective isn’t necessarily a bad thing here.

a couple of quick little self portraits

8/3/2011 Self Portrait #1 © August, 2011 Jeff Thomann
8/3/2011 Self Portrait #1 © August, 2011 Jeff Thomann

8/3/2011 Self Portrait #2 © August, 2011 Jeff Thomann
8/3/2011 Self Portrait #2 © August, 2011 Jeff Thomann

8/2/2011 Rose Study © August, 2011 Jeff Thomann
8/2/2011 Rose Study #1 © August, 2011 Jeff Thomann

8/2/2011 Rose Study #2 © August, 2011 Jeff Thomann
8/2/2011 Rose Study #2 © August, 2011 Jeff Thomann

a few new drawings.

Jackie's Rose © 2011 Jeff Thomann
Jackie’s Rose © August, 2011 Jeff Thomann

Palm © 2011 Jeff ThomannPalm © June, 2011 Jeff Thomann

Palm 2 © 2011 Jeff ThomannPalm 2 © June, 2011 Jeff Thomann

Self Portait © 2011 Jeff Thomann

Self Portait © 2011 Jeff Thomann
Self Portait © 2011 Jeff Thomann

This was created using an old car rearview mirror so I could only see half of the face without shifting location so it was a bit of a challenge. As you can probably tell, I was focusing primarily on the lower nose/chin/neck area more than the rest of the face.

It took me 29 minutes overall, and time flew by because I was so intently focused. Getting good greyscale gradation levels with a small drawing surface like a ball point pen is challenging, especially when on a timeline like I was with this. I did complete it in under a half hour though.

I can see some improvements already in the self portrait drawing skill vs the last self portrait like this I did. I use self portraits as sort of a checkup on my skills since the human face is a good indicator of art skills on a lot of levels. Drawing faces with glasses on is always a bit of a challenge too since it changes the lighting a lot and gives areas that need new details.

I did the glasses on though because I’m working on a color pencil drawing in the mornings that has Tekla with glasses on, and I wanted to study a little in these ballpoint pen drawings how the glasses affect the light and shadow on the face so I can do better in that and future drawings with glasses. The color pencil drawings are very tricky since I’m using a lot of different colors, layering techniques, and a lot of erasing and actual burnishing techniques – actually in some areas on those I’m using real print making etching tools to do scratcherboard type techniques in limited areas since I’m using gessoed hardboard. That is definitely something I would not be able to do if I was using paper for the color pencils. The color pencils are almost like mini-oil paintings. Now it’s after 6 Am so I better start on the color pencil as the time allocated to it is before 6:30 AM, lol.

Speed Model Challenge: Spear

Spear © 6/8/2011 Jeff Thomann

Spear © 6/8/2011 Jeff Thomann

Spear © 6/8/2011 Jeff Thomann

This is a 3d model I created tonight for the speed model challenge over at http://forums.cgsociety.org/showthread.php?f=122&t=984188.

The Model took me approximately an hour and a half to create, but I was a bit distracted since we were watching America’s Got Talent at the same time, and I was also using an internet browser to look at various spear reference images at the same time. I was originally intending to base this on the Hofburg Spear of Destiny that supposedly the spear that pierced the side of Christ according to some, but decided that since I was on a timeline in order to complete this in less than 2 hours, I was going to sort of go off in my own direction with it as a generic spear that just has the rough basic shape as that spear.

I probably spent about 45 minutes adjusting various settings in the procedural texture settings in Lightwave to get the texture I was aiming for. I didn’t focus too much on lighting the scene. It’s just using the generic default light from Lightwave. I didn’t do my usual 30 minute ball point pen drawing tonight, but that’s ok because we spent some time at the mall in Barnes and Noble tonight where I looked at several books and magazines related to 3d modeling and drawing. I’m going to consider that a part of my weekly ‘artist date’ for this week. The ‘artist date’ is a part of The Artist’s Way Process. It involves spending time ‘filling the well’ by doing various things your inner artists guides you to do.

Another part of my ‘artist date’ earlier this week was playing Grand Theft Auto, Vice City for a few hours over the weekend. It’s always a little fun to go and act like a crazy stuntman driver in that game causing all sorts of havoc. Neat way to blow off a little steam.

Ear Ring © 2011 Jeff Thomann

earring-meshearring-renderEar Ring © 2011 Jeff Thomann

Ear Ring © 2011 Jeff Thomann
Ear Ring © 2011 Jeff Thomann
Media: 3d Model created in Lightwave 3d

This model was created as a part of the speed model challenge over at http://forums.cgsociety.org/showthread.php?f=122&t=984188

Total Time creating this model with both the modelling, surfacing, and rendering took approximately 2 hours. The modelling took up the biggest portion of that time.

17 Minute Drawing – 6/6/2011

17 Minute Drawing – 6/6/2011 ©

17 Minute Drawing – 6/6/2011 © Jeff Thomann 5/26/2011
Media: Ball Point Pen

I almost skipped doing this drawing last night, but decided to stay up a little bit after doing the speed challenge in the last post to do it. I’m trying to work on color pencil drawing in the morning, and quick sketches like this along with the speed model stuff in the evening. Since I’m using ballpoint pen for these types of drawings, I really have zero excuses to not do one every day of the year! 🙂

Speed Model Challenge – Dumbbell

Speed Model Challenge – Dumbbell
© 2011 Jeff Thomann

© 2011 Jeff Thomann

The above is a quick ‘speed model’ I did tonight for the speed model challenge over at cgtalk http://forums.cgsociety.org/showthread.php?f=122&t=984188

I plan to do more of these speed model challenges in the future to get my 3d modeling skills up to a level where I want them to be. The above model took me a little over an hour to do, and the texture (which I’m not 100% too happy with at the moment) took about 20 or so minutes. The model was created in Lightwave 9.

5/26/2011 – 22 Minute Self Portrait

Image

5.26.2011-15/26/2011 - 22 Minute Self Portrait © Jeff Thomann 5/26/2011

5/26/2011 – 22 Minute Self Portrait © Jeff Thomann 5/26/2011
Media: Ballpoint Pen on Paper

I’m not too keen on the that big right eye and super dark area right below the chin in the neck, but that’s the sort of stuff that happens when you are doing a self portait. Actually, the eye kind of adds to that expression I think. I probably went in to too dark and harsh lines too quickly about 20 minutes in — easy to do in this type of drawing. Also, working near the edge of the paper is always a tricky thing to do, but an important thing to do.

Emotions play a big part in drawing. I had a pretty rough/stressful day at work, so I think that played in to this a little in the expressionism gestures in the line quality, etc.

I stopped it at 22 minutes instead of half an hour because I felt that if I kept going I was really going to overwork it way too much. Getting fine details in a quick sketch is always a tricky thing to do. How far is going to far. How much time is left. The clock starts to not matter much but I want to keep these below 30 minutes for now.

I ultimately want to do one quick sketch like this daily and then one longer work that takes a long time on the side after that. This is a transition in to that. Currently I’m working on some color pencil drawings for the longer drawing, but didn’t work on it yesterday or today. I want to make the quick sketches be done every single day regardless of how I feel or if I want to or don’t want to draw that day. If I keep them below half an hour, that’s a lot more possible and realistic then trying to do a masterpiece that takes hours daily, etc. Time management is an important and difficult thing to master.

5/25/2011

5/25/2011
5/25/2011 © 5/25/2011 Jeff Thomann

20 Minute Sketch
Media: Ball Point Pen and China Marker on Paper

I’m not super happy about the results here. I got the proportion off a little on this and was a bit distracted too since the tv was on when I was drawing. I was going to skip tonight since I skipped working out tonight due to the weather (tornado watches and warnings earlier this afternoon) but really don’t want to do that. I really need to do at least one drawing a day to get in to the good habbits I need to develop. Ink is not a forgiving medium, but that makes me know that I need to work harder to get it right the first time.

a few more quick drawings.

I’ve been sketching after work for 30 minutes or less to just sort of work my way back in to drawing. I’m using ballpoint pen for these so far since they are easily scanned without a mess, and also are not messy. Here’s a few of the recent drawings. I’ll try to upload more of these as they are made in the future. I KNOW my skills can get better, and practice is the ONLY way to make that happen.

5/3/2011 – 5 minute drawing
5/3/2011 - 5 minute drawing

5/23/2011 – 25 minute drawing
5/23/2011

5/24/2011 – 25 minute drawing
5/24/2011

A couple of fast sketches.

I’ve started sketching again a bit. Here’s a couple from the last week.

Copyright © 2011 Jeff Thomann

I’m going to try to make it a point to do these 20-30 minute drawings daily after work, and then do more complex artwork after that. It’s sort of a fast way to retrain my art skills, transition from work life to art life, and try different things out to learn or relearn techniques, etc. I may upload more of these type of drawings in the future.

Getting Organized, and Moving Foward…

Getting Organized, and Moving Foward…

Over the last few days, I’ve decided to start getting organized again and make more plans on how to get motivated and move forward in my life and in my art.

The cgtalk forum thread over at
http://forums.cgsociety.org/showthread.php?f=2&s=f7856855978ca716d6c6734dd8c5ecb7&t=969336 got me thinking, and as I noted over there, I’m starting to work with a few notebooks and sketchooks now.

I started the Artists Way again, and am at least trying to do the Morning Pages again. I had given up on that a month or two back because my allergies were really hurting me a lot, so making the time to get up earlier in the morning then necessary to write down the 3 handwritten pages needed for that every day was too much.

We also were going through some personal crises type of things recently that was having big emotional impact on me… My mother-in-law passed away April 10th and her funeral was on the 14th. In the last couple of years my wife has lost her mom, dad, and last living grandparent as well as a six month second cousin who she never got a chance to meet that now rests in peace next to her mother and grandmother. All of these tragedies make me realize how fragile life is an how short it is, and how important it is that I start following the Artist’s Way more strictly since, as the book discusses, it really is ‘selfish’ to have talents and skills and not share them with the world or take the time to perfect those skills and talents as a gift to myself and those around me, even if it does cost a bit to do so in the form of art materials, etc.

I’ve started a notebook that is acting sort of like a diary and daily planner type of thing like the one described at http://forums.cgsociety.org/showthread.php?f=2&s=f7856855978ca716d6c6734dd8c5ecb7&t=969336 and http://studium.tobiasdeml.com/2011/04/02/making-your-life-more-efficient-than-ever-before-the-notebook-battleplan/
I’ve also started a second notebook that is a to do list similar to the one listed at http://www.erica.biz/2010/getting-things-done/.

As mentioned at http://advancedphotosolutions.blogspot.com/2010/07/why-you-need-grimoire.html we all need to do this sort of thing, especially if we focus on technical things like art, computer programming, game development, and hacking, all of which are sort of niche areas that I have some interest in on some levels.

The calander/diarly/battleplan book is sort of a daily summary thing so far, where I’m keeping small notes on mostly everything I’m doing that is of some importance in my life daily and out of the ordinary. This is sort of a reflection guide that tells me what I’ve done and when I’ve done it that will come in handy later since the calander part of it you do forwards to backwards and then back and forth… so each page has dates that are months apart so you can sort of mentally review what you did earlier that year or last year and keep your mind fresh and clear on where you’ve been so you know where you are going…

The Morning Pages notebook I’m doing is just a bunch of loose leaf papers in a 3 ring binder I keep on the coffee table and I enter 3 handwritten pages in the mornings. If I just ‘have’ to sleep in an hour I only do one half page or one page as time permits before work. I don’t try to sleep in much, but if I had too much caffiene the night before, or allergies are extra-ordinarily bad that caused me to loose sleep, or stomache is upset or loud neighbors disturbed rem time, I’m not oppossed to skipping the morning pages and just doing a shorter version since it’s all about getting healthy and wealthy on a lot of emotion and psychological levels, and you can’t be too healty or wealthy if you are lacking sleep…Eventually if that 3 ring binder is full, I might either bind the pages in some other way (likely using leather, yarn or something, or just buy another 3 ring binder… Plan on doing this the rest of my life essentially, so it’ll take up a lot of room over time I suspect.

The TO DO list is something new that I’ve not done before. I used to do to do lists in excel and notepad some for daily and weekly stuff, but never one that I wrote out by hand and updated every day. I’m finding that writing the stuff down and actually crossing it off as I do it gives a nice sense of accomplishment, and a motiviation to actually do what I put down there every day in the morning after I do the Morning pages… I want to get really detailed with this to do list and add all sorts of various technical things in it eventually every day. That way it’ll act sort of as a grimoire type of thing along with the daily calander/battleplan book.

I’ve also got a couple of voice recorders. I bought them several years back to record sounds when I was getting in to 3d animation a little in 2005 or so, but never did much with them. Now I pack them with the ‘manbag’ type of laptop case I carry with me everywhere to record notes to myself on the way to or from work and also to just do various sounds. Sound driver on computer is glitchy though, so can’t always listen to what I record there… Need to fix that eventually but not sure how. I DO NOT CARRY A LAPTOP with me ever, so don’t even think about trying to steal it from me if you see the laptop bag. All that I carry with me is a paper notebook, a cheapo mp3 player and a cheapo voice recorder in there, and somedays a cheapo digital camera somedays, lol.

Over time I might scan these various notebooks and put them online somewhere at least as backup… Also might buy myself some more external hard drives (only got one small one right now) to save backups to and actually keep one at my parents house that I’ll do backups to on a monthly basis or something going fowards.

All this writing and organization is helping me think clearer and be organized. The morning pages sort of ‘clear my mind’ in the morning. The other two notebooks help me ‘clearly define my daily goals’ and keep track of what goals I’m getting done and not getting done daily so I can become more productive as an artist and guide myself towards where I want to and need to be.

If I’m not doing all this, which is the way I used to be, my mind becomes unclear on what I need to do and when I need to do it, so I would find myself watching forums and emails or youtube and movie channels for hours without being productive. I’m probably one of the few people that call myself a painter but have not painted or sketched a lot in years… Hopeing to change that… Hoping to do small skill challenges and things to increase my skills in drawing and painting to where they were back in college, if not go beyond that level, far beyond it… to the professional level I want to be at, and that I know I can be at with a little practice… daily practices… practices that will be in that to do list that I will actually do and cross off as I do them! 🙂

I do plan to buy acid free sketchbooks too, but that, along with other art expenses will be something I’ll tackle one thing at a time… Art materials don’t have to be super expensive, and to do lists and stuff like this don’t need to be on acid free paper since scanners exist. The old me would have just not suited for anything but acid free sketchbook paper, but that’s silly and way too darn expensive just for writing stuff like the morning pages and to do lists…

Plant

Plant Render

Plant Polycount

A quick little plant I just created for the speed modelling challenge over at http://forums.cgsociety.org/showthread.php?p=6915314#post6915314. Total time to create this was about an hour and 25 minutes or so.

Egg

Egg Render

Egg model

Just a quick egg model I put together in the last half hour or so. Did this for the speed modeling challenge over at http://forums.cgsociety.org/showthread.php?p=6915314#post6915314

Sunrise @ Galveston Bay © 2011 Jeff Thomann

Sunrise @ Galveston Bay © 2011 Jeff Thomann

Sunrise @ Galveston Bay © 2011 Jeff Thomann
Media: Pastel, Watercolor Pencil, & Color Pencil on Gessoed Hardboard
Original Size: 5″ x 7″

 

more old sketchbook stuff.

Working on scanning more old sketchbooks, but I’m not sure if I’ll upload them or not since half of them are not completely readable, and some of them are old rpg stuff and dream journals that might not make a lot of sense to others then me… but we’ll see. I’ll have to look over it all and decide if I want it all here or not.

Halfway to 70

Halfway to 70 (Self Portrait)
Halfway to 70, Copyright 2011, Jeff Thomann
© 2011, Jeff Thomann
Media: Ball Point Pen

“Halfway to 70” is the name of this one. It was a self portrait I did the other day on my birthday (yes, I’m 35 now). I’m not super happy with it, but considering it’s a self portrait done in about an about an hour or so it’s not half bad. Did it with ballpoint pen. Lots of artists do self portraits on their birthdays, and that’s something I have not done much of in the past, but figure it’s a descent time as any to start this annual project.

I quit when I did because I was making the shading too funky and could feel myself “overworking” it… Hard to stay with a fresh drawing feel and look if you go after too much realism in the shading/tones

I Really don’t think it “looks like” me totally. It’s hard to do self portraits since you are constantly moving as you draw, so your reference is always changing. I used china marker on the bathroom mirror to keep basic shape in the roughly right location through most of it. I’m going to probably do more freehand drawing things like this now and then to get my skills back in shape.

98 Cloud Photos

I uploaded 98 photos of clouds in a zip file to Turbosquid that you can find at http://www.turbosquid.com/FullPreview/Index.cfm/ID/578229?referral=mastermesh

Here’s a small small slideshow preview of the images in the zip file.


Redbud and Maple leaves in Fall

I uploaded a few scans of maple and red bud leaves that I took this fall, just before the first heavy snowfall. I just did not get them in a product in Turbosquid until last night/this morning.

Here’s a small summary image that shows what part of the bundle looks like:
scans of leaves
scans of leaves
scans of leaves

Jeff’s Zazzle Shops.

My Zazzle Shops can be found at http://www.zazzle.com/jeffthomann. Like the Cafe Press Shops, I have not put a lot of new stuff out there as I’m in the process of digitizing a lot of various old works before starting working on a lot of newer stuff. However, over time, I’ll be adding more as it’s created.

http://jeffthomann.t35.com – Jeff Thomann’s Online Portfolio

no longer use this t35 place since some idiot scammer ruined it for everyone else that was using the place for free hosting, so now scammer alerts show up an avast, etc. anytime t35 url is spotted anywhere online 😦

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I’ve started working a bit more on http://jeffthomann.t35.com over the last few days. It is starting to come together nicely. There are still several images on there that I probably will remove, and several more that I will add eventually, but it’s a nice framework that’s starting to come together a lot better then it was before now. I like being able to click on the images to make them take up the full width of the browser, even if the bigger image is just a resized copy of the smaller images. With today’s high resolution digital photos and scans, it’s sort of nice to be able to zoom in and see fine details individual brush strokes and things in paintings and drawings that our predecessors could have only dreamed about. The resume is finally starting to go online over there. I’m still not 100% comfortable putting that much personal information online, but since this blog is here along with facebook, most anyone could figure out all of that information anyways I suppose, so it’s a mute point to try to keep information from being free. I will probably not put a phone number over there or a real world address anytime soon, but the email link from the name on the resume should do a pretty good substitute. Would love to have someone give me some feedback on what I need to do to make it better…

(118) 512×512 pixel seamless rock texture pics

I uploaded (118) 512 x 512 pixel seamless textures of various rocks and rock groupings to Tubosquid. These images were extracted from photos of rocks that I shot with a digital camera, and were made seamless in Gimp. They are 512 pixels wide and high so that the image size is a power of 2, a prerequisite for some 3d render engines and game engines.

Here’s a small summary image that shows what part of the bundle looks like:
seamless rock texture photos

36 512×512 pixel seamless brick textures that have 24 bit depth.

I have uploaded 36 512×512 pixel seamless brick textures that have 24 bit depth to Turbosquid. These images are available at http://www.turbosquid.com/FullPreview/Index.cfm/ID/566147?referral=mastermesh. The photos these were taken from are some photos I took of a church a few years ago. I had never made them seamless til today. Hopefully someone will have uses for these photos. Here’s a small summary image that shows what the bundle looks like: seamless white brick textures sample

Kris 3d model

I’ve creaed a 3d model of Kris in Lightwave that I have uploaded to turbosquid. You can find this at http://www.turbosquid.com/FullPreview/Index.cfm/ID/566126?referral=mastermesh

Here is what this object looks like
KrisKris model

Find out more about Kris weapons at http://en.wikipedia.org/wiki/Kris

3d Handheld Battle Axe

I uploaded a 3d handheld battle axe that I created in Lightwave today to Turbosquid. It can be found at http://www.turbosquid.com/FullPreview/Index.cfm/ID/566053?referral=mastermesh

Here’s what this object looks like:
handheld battle axe
Battle axe
Battle Axe
Handheld Battle Axe

Katana Sword 3d Model

I’ve uploaded a new 3d Katana created in Lightwave to Tubosquid. It can be found at http://www.turbosquid.com/FullPreview/Index.cfm/ID/566018?referral=mastermesh. Here’s what it looks like:
Katanapolygonal view of Katana

l

http://www.turbosquid.com/FullPreview/Index.cfm/ID/565252?referral=mastermesh

Today, I uploaded a zip file contains (42) seamless 256×256 pixel texture maps of asphalt and (27) seamless 512×512 pixel texture maps of asphalt at Turbosquid. It can be found at http://www.turbosquid.com/FullPreview/Index.cfm/ID/565252?referral=mastermesh

Preview of asphalt images

These images are cropped from a few photos I’ve taken of asphalt from a while back. I have decided that going forwards, I am going to try to do zip file collections of seamless texture maps because it’s not too difficult to crop the images or make them seamless. In the past I uploaded raw photos that were not cropped or edited. I have decided that these sort of photos might be a bit more useful if cropped and seamless so that my loyal customers and the product’s end users won’t have to work as hard to make the images usable in their game engines and other 3d applications.

The pixel widths are 256×256 and 512×512 pixels so that the image ratio is a power of two, something that many 3d applications and game engines need to render the images proportionally correct.

working on folio

Slowly working on portfolio website (see link on right). This weekend I put together a few of the pages over there. So far the Charcoal and Ball Point Pen sections are starting to shape up.

I have not put together the other sections yet completely since those require shooting digital photos of my works. Not being the greatest photographer in the world doesn’t make getting the quality that I like out of the camera the easiest thing in the world. Also, it does not help much that I’m shooting outside when I do the shots, and it’s been fairly windy the last several days. The other day I shot some of my brother’s old artwork from highschool and the tripod fell over with the wind while I was swapping drawings with others in the house. The part of the camera that attaches to the tripod flew off of the camera when it hit the pavement. I luckily got it back together, but have not tried to attach it back to the tripod since then. Note to self – add weights of some sort to tripod the next time I try to use it.

The ball point pen drawings are mostly some of the mall small scans I took. I tried to limit it to about 30 or so images for each section. That way a nice little navigation bar table fits well in most browsers. It’s still a little too wide for the smallest screen settings, but I really don’t think most folks use the smallest screen settings usually. If so, sorry folks… I am trying to get this thing looking good, not optimized for your super low res screens… It’s tricky using the floating navigation bars I’m using because Internet Explorer is tricky. If you don’t put the dtd type up at the top of the html, it doesn’t float the css navbars where they belong, and just sticks them at the top of the page where they scroll with the rest of it.

It’s slowly coming together. I’ve been doing some cleaning around the house this weekend since we’ll likely be moving before too long… found a bunch of ol floppy disks and that reminded me that the last time I tried to put together an online web portfolio like this I was doing it on floppy and zip disks on Campus because it was like the year 2002 and I was using the free modem pool that the University of Missouri had back then… a whopping speed of 28k! No wonder I got frustrated and quit putting together the website last time, lol.

This time, things are coming together a lot smoother, and hopefully this blog will help make things work out a little better. I’ll add more to the website as I get more images put together and organized. I really like this click the image to get a bigger copy of it idea. I also like the floating nav bars with transparent backgrounds that makes it nice, clean, and easy to maneuver around in.

Got any pointers, tips, or ideas on how I can improve portfolio? Shoot away and give me some comments. I like listening to what people have to say. 🙂 😉

2740 Turbosquid Links Left

I have posted quite a few Tubosquid Links over the last 24 hours, but still have quite a few more to post to get the
“comprehensive” list of all the links I have over there so far in to this blog.

Only 2740 more links to go to get every blasted asset I have over there linked to from here. Lots of copying and pasting from excel file I created from their database to do this. My right pointing finger hurts from clicking the mouse so much lately, lol.

Again, I just want to re-iterate here that this is NOT spam. It’s a list of art links that I’m creating to later use for commentary purposes here in this blog. What I want to do is give some examples of various trends my artworks have been going the last few years, expound on where those trends will lead me in the future, and also use this link list to make this blog more comprehensive and complete in showing my various forms of artwork.

This is both a reference for those that enjoy my artwork as well as for myself, both for visual viewing purposes as well as for historical and documentation purposes. I am trying to more or less account for all my artwork online up to this point in time so that going forward it’ll be easier for anyone reading this blog as well as myself and any art historians to see where I’ve been, where I am, and where I’m headed in my art, its themes, its purposes, its concepts, in various relations between art that I have created and am working on now or in future projects, etc.

This entire blog is sort of an auto-biography from me, by me, and to me, Jeff Thomann, aka Mastermesh, aka Maria Mastermesh Mesh… and it’s also something intended for you dear reader, and you, fellow art lovers and art historians as well. This is me and my story. Come along with me on the ride, if you dare. 😉 🙂

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