If you don’t want stuff online – don’t put it online… If you enjoy life as a curmudgeon with no social interaction with anyone on the internet, stay offline. If you enjoy life, sharing, and friendship, go ahead and get online and share your life stories with everyone.
In other words, SOCIAL NETWORKS exist for BEING SOCIAL…
If you don’t like your pics shared on facebook, don’t put them on facebook and other websites, including but not limited to studio photos websites, youtube, photo sharing sites, etc.. If you want them shared, put them online. If you want to privately share them with one individual, email exists… Anything on facebook has a link to share next to it, even if your privacy setting is set to private – SO DON’T THINK SOME SILLY LITTLE PRIVACY SETTING WILL MAKE THINGS COMPLETELY PRIVATE AND NEVER PUBLIC – doing so you are fooling yourself — much like someone who wants to protect their money by putting it in a pillow case or something – that’s the first place people look… If you do put them on websites and want to limit who can see them, password protect them and only share the password with who you want to see them… however, after they lose the password, or you do, don’t expect to ever see them again since they are basically buried in an online dusty ol closet… from dust to dust… photos that are never seen are no good since art exists only when there is a viewer of what is created. Photos never seen are like phone calls that are made in to a cell phone that is turned off. Even passwords are not 100% effective in protecting things… ANYTHING ON THE INTERNET IS CONNECTED TO SOMETHING ELSE ON THE INTERNET… As long as there is anything online it can potentially be seen by someone someday. It may take a hacker a little while to get your password figured out, but someday, as long as the server exists and someone can try to get it they will get at it… for some breaking passwords is much like solving crossword puzzles… it’s a hobby. Your little password isn’t going to stop someone that really wants what your password is protecting, just like a glass window isn’t going to stop a burglar from breaking in even if it has a siren on it.
Matthew 5:15 Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house. …. When lamps are put under beds or in dusty old closets they tend to burn blankets, clothes, etc. after a while. All photography is a form of capturing light… lights typically come from light sources such as lamps. This little light of mine – I’m gonna make it shine…
One reason that I like things to be public is because it’s kind of nice to know that someone someday may see that I existed here that may never have known of me before… a legacy is created… words of wisdom passed on to next generations. Images of our lives are made to have a meaning that is passed on down in our culture hundreds of years from now after the hard drive on whatever computer I’m using today is long dead and gone… but backups of photos and statements and ideas are all out there on multiple servers backed up for the many or even just one to eventually find.
If the afterlife does not exist (I think it might just exist personally, but sometimes I, like everyone else question it), all we have is this life. It’s a short, fragile thing… It’s definitely worth sharing with others, don’t you think? Have you started creating your legacy yet? Isn’t it time?
Oil on Canvas
© 1999, Jeff Thomann
This image was one of the 3′ x 3′ works I did for my BFA show. This, along with the other images in the show were derived from dream imagery. I had started several dream journals in college, and the images for this show were painted versions of some of the images from those journals.
Capturing dreams in a journal is not always easy. I ‘cheated’ a little some of the time that I was doing these images since I had to come up with some of the dreams to put in to the paintings. I did this by sleeping with the lights on and covering my eyes when I slept, and I kept the sketchbooks and journals next to me within an arms length of where I was sleeping, and would start writing as soon as I awoken from a dream. Covering the eyes while the lights were one forced me to remember the dreams as I awoke when the light hit me eyes. However, I had to work quickly to put the dreams down in the book as quickly as possible before my conscious waking mind took over the subconscious train of thought and started putting too much ‘real world’ left brained stuff in to the images and cause/effect relationships and stories beyond what the dream actually contained that I was trying to capture. You have a very short span of time to do that sort of thing if you dream journal as the waking mind sort of takes over within 5-10 minutes or so after you wake up.
There is a lot I learned about dreams in doing this. My dreams are very much based on architectural ideas and archetypes. Many times multiple people in real life will join in to one being in a dream… creating a construct of sorts.. and these archetypes/constructs play roles. Dreams really do have a meaning and reflection that comes from the waking world, and there is a method to them. If you every try to dream journal, you can learn this methodology and the meaning behind the dreams. Most dream interpretation books are way off. It’s much much more personal than any of those can every really get to the real reality of because every person’s personal archive of images that they draw upon from their own waking lives is unique to them… I might make more posts about this in the future. There is a LOT to dream journaling.
On the Road
Oil on Canvas
© 1999, Jeff Thomann
For a while in college I was fascinated by the idea of driving and the metaphor of how the car becomes a part of one’s self – an extension of the inner self in a variety of ways. Much of my art since that time has revolved around the idea of the journey, and seeing the landmarks on the road we see daily both in cars and outside of them. Roads that parallel highways and exit ramps and overpasses – tunnels to new places, and exits and entries on the highway of life fascinate me both visually, spiritually, and emotionally. We are all on journeys every day. Do we take the time to see what we are passing or just let it pass us by?
David Thomann Memorial
Oil Paint and Collage on Canvas and Wood
© 1999, Jeff Thomann
I added the above youtube video to this post to help show the work in a way that is somewhat close to the setup it was originally intended to have. Unfortunately, I’ve never shown this work in a gallery or anything, so this was a quick video I took recently in 2014 before putting the work in to storage.
It’s hard to display this work for me due to the emotions involved… It’s difficult to talk about the work or think about it too much for lengthy periods of time because I begin to cry every time I think about it in too big of a segment of time. Many tears were shed during the creation of this artwork.
The installation is probably the biggest work of art that I’d ever attempted. I’ve been told that I try to put too many messages in to one painting many times, and this work is probably the epitome of that sort of thing. there was a lot going on. The work consists of 8 main panels, with the main images taking up two panels each. The panels are just stretcher bars with canvas attached, and they are connected with hinges. Each panel is approximately 3 feet wide x 6 feet tall, so the whole work, when all the panels are standing together is approximately 6 feet x 6 feet, and forms a sort of x if looked at from above. This is one of the few ‘installation’ works I ever attempted to create. I’ll try to add more images of this here in the future as I get more images uploaded to give a better idea of what it looks like from various angles.
Sorry if my rendering skills are not the greatest in the world. This work was created over the process of a semester in college, so I didn’t have an infinite amount of time to work on it. I could have reworked some of it later, but have chosen not to for a variety of reasons.
This work is a memorial installation that I created in honor of an uncle of mine that died due to leukemia several years ago. The reason, that our family believes, that he got leukemia was because he was a helicopter pilot for the United States Army, stationed in Germany, during the time that the radioactive clouds from the Chernobyl “accident” occurred. Around this time many chopper pilots, and other servicesmen in the air started getting symptoms very similar to those that he had… but, as usual the government denies that such a thing occurred.
At the time that I made this installation I was trying to cope with the fact that my little brother had just joined the airforce… and was attending basic training at the same airforce base that my Uncle David died in (It’s in San Antonio, Texas). It seemed to me to be a very bizzare and vile cycle that fate had taken to lead to such circumstances… The weekend that my parents, my sister, and I went to see Danny graduate from basic was very eerie, yet beautiful in a strange sort of way…
On the picture of the panel above, in the lower register of this image is a portrait of my father’s mother, father, brothers, and sisters. My Uncle Dave is the one circled in red. The reason for this is to make his image stand out in a way, and it also sort of implies very bluntly that he was a ‘target’.
The images in the top register are metaphoric symbols of man’s stupidity in creating violence through technology. The people in this register are rendered somewhat icon-like, as they have become mythological icons of our day for the horrors which they have created. The ‘heroes’ of this register are Truman, the Manhattan Project guys, and Hitler. They stand together triumphantly in an eeire background plotting the downfall of man. The middle register is a not-too-well rendered replica of the army identification tags that my Uncle used to wear. Each of the main images are painted copies of photos that meant a lot to me and my family. One of the small images in the top register is a copy of the final photograph my father had of my uncle’s family before he died. I remember when the photo was shot as if it was yesterday. My parents said ‘wave good by to Uncle Dave.’ Tears come to my eyes even to this day as I reflect on that phrase.
One of the ideas/themes with this work was to morph words and stories in to a message that played out like a drama for the viewer. https://jeffthomann.files.wordpress.com/2014/06/img_20140612_093150.jpg?w=949
Brothers & Sisters
Brothers and Sisters happily together at home, but who is this circled?
Uncle Dave, here’s two thumbs up pal!
This is the type of helicoptor that Uncle Dave piloted.
We will cherish you always for all that you have given.
Does E=mc squared always???
Why on earth is that the the case? Why can’t things be less scientific, less destiny driven…Why does death exist??? In the upper register, not even Albert Einstein, Mr. Zeplin, the Wright Brothers, or Henry Ford, the heroes of our time, can answer this question. Remember the Alamo!
E equals mc squared not here here sisters!!!
Our technology is made only for our destruction… Logic makes no sense to us anymore. The greatest accomplishment of man is the destruction of his own. Our walls cannot protect us from ourselves. Our true heroes will sacrafice their all for vain political purposes that our real heroes, the ones that we put in our textbooks, have created for foolish worldly greed, jealously, deceit, and lies…
Brother’s not well.
Fair And Nobyl
In the green striped areas of the painting where the words are there are some photocopied and typed out excerpts from a book that came out about a year before I created the painting which had a lot of information about how Chernobyl was not really as much of an ‘accident’ as it was made to be at the time that it happened. These texts are embeded/collaged in the painting under a layer of stand oil and linseed oil. The book these texts were taken from documents where many areas where corners were cut in regards to safety measures being taken. These were documents that were top secret and not released until shortly before the time that that book came out and became public knowledge.
I’m not really sure I even want to post this, but think it’s something worth posting, and thinking about… This post will be edited later and more will likely be added since there’s a lot to talk about here…
EA was the diety of water
AE is a breathy sound that is very similar to what seems to be the way Yahweh is pronounced. Yahweh is the name of God in the Jewish and Christian Religions… The ‘breathe of life’ has a lot to do with this idea too.
Both EA AND AE are very similar to sounds that man makes when he is urinating or defecating… ???… the sound of the A at the end seems like it may be closer to the sound that comes when someone is breathing out while urinating and the E at the end the sound that is closer to what someone is making when straining to make a bowel movement?… interesting connection – eh?
In Buddhism and other Eastern religions the ideas of breathing has a lot to do with a lot of things, and the idea of chi has a lot to do with it too… the idea is that Chi is stored inside of an area near the stomache – coincidence?
Adam was the ‘universal man.’ Surely the universal man occassionally had some flatulance, especially if he was eating apples sometimes.
Some new age ideas evolve around the idea that the sound MI (you know the sound after Do Rand RE in the musical scale) has some religious/philosophical/healing powers. This is a tone/pitch that could be related to both EA and AE in some cases..?
The hoax/rumor/myth of Jabulon that’s online is an story about how freemasons tried to connect JAH, BAAL, and ON, i.e. Jah as in Yahweh (Jewish God), Baal (Lord/Master the Phoenician/Cannanite God) , and Osiris (Egyptian God)… it’s mostly false according to online sources… but it’s just an interesting idea that could be applied here… maybe all religions all basically have the same beginnings?
As the pressure is released the feeling of relief that comes may be what the original originators of the religions were inspired by and amplified as their thoughts of gods?
Blashemy? Maybe… interesting connection/coincidence – maybe? Just something to think about…
God be with you.
Assertive Bill Of Rights (from When I Say No, I Feel Guilty by Manuel J. Smith):
I have the right to be the ultimate judge of my own behavior, thoughts, and emotions, and to take the responsibility for their initiation and consequences upon myself.
I have the right to offer no reasons or excuses to justify my behavior.
I have the right to judge whether I am responsible for finding solutions to other people’s problems.
I have the right to change my mind.
I have the right to make mistakes – and to be responsible for them.
I have the right to say, “I don’t know.”
I have the right to be independent of the goodwill of others before coping with them.
I have the right to make decisions without using logic.
I have the right to say, “I don’t understand.”
I have the right to say, “I don’t care.”
1. Creativity is the natural order of life. Life is energy, pure creative energy.
2. There is an underlying, in-dwelling creative force infusing all of life — including ourselves.
3. When we open oursleves to our creativity, we open ourselves to The Creator’s creativity within us and our lives.
4. We are, ourselves, creations. And we, in turn, are meant to continue creativity by being creative ourselves.
5. Creativity is God’s gift to us. Using our creativity is our gift back to God.
6. The refusal to be creative is self-will and is conter to our true nature.
7. When we open ourselves to exploring our creativity, we open ourselves to God: good orderly direction
8. As we open our creative channel to The Creator, many gentle but powerful changes are to be expected.
9. It is safe to open ourselves up to greater and greater creativity.
10. Our creative dreams and yearnings come from a divine source. As we move toward our dreams, we move toward our divinity.
1. I am a channel for God’s creativity, and my work comes to good.
2. My dreams come from God and God has the power to accomplish them.
3. As I create and listen, I will be led.
4. Creativity is The Creator’s will for me.
5. My creativity heals myself and others.
6. I am allwed to nurture my artist.
7. Through the use of a few simple tools, my creativity will flourish.
8. Through the use of my creativity, I serve God.
9. My creativity always leads me to truth and love.
10. My creativity leads me to forgiveness and self-forgiveness.
11. There is a divine plan of goodness for my work.
12. There is a divine plan of goodness for my work.
13. As I listen to the creator within, I am led.
14. As I lisetn to my creativity I am led to my creator.
15. I am willing to create.
16. I am willing to learn to let myself create.
17. I am willing to let God create through me.
18. I am willing to be of service through my creativity.
19. I am willing to experience my creative energy.
20. I am willing to use my creative talents.
5 basic skills of drawing (from The New Drawing on the Right Side of the Brain by Betty Edwards)
1. The perception of edges
2. The perception of spaces
3. The perception of relationships
4. The perception of lights and shadows
5. the perception o fthe whole, or gestalt
6 and 7 are for Art with a capital A.
6. drawing from memory
7. drawing from imagination
In order to gain access to the subdominant visual, perceptual R-mode of the brain, it is necessary to present the brain with a job that the verbal, analytical L-mode will turn down!