http://sketchbookphotosshotjanuary2013.shutterfly.com/ – a few more photo of the sketchbooks taken today. I used the 1000 watt light (it’s really two 500 watt halogen bulbs) to light it. I think that helped the white get a bit more white than the last batch. This is a continuation of the sketchbook shot in the last batch and the start of a second one. These sketchbooks were mostly from college and a few years after that. Some of the portraits in them are actually of people I quickly did sketches of at various summer jobs during college, etc. I didn’t get a bunch done in this round of photos since that 1000 watt light is extremely hot. The wall near where the light was sitting as I shot these was still hot to the touch about 15 minutes after I turned the light off! I can’t do extended several hour long photo shoots with that light in that enclosed of a space. It’s too dangerous as a fire hazzard and also a danger on my health since it really drains me standing about two feet from that light as I shoot these sketches.
After I get a lot of these sketchbooks uploaded, I probably won’t do a bunch more unless I scan them or photograph them as I create them… something I didn’t do much in the past, which is why there’s such a big backlog.
I suspect a bunch of work in the near future will actually start digital and stay digital most of the way through since I recently got got an android tablet for Christmas and just in the last week or so installed Sketchbook Pro on it as an ‘early’ birthday gift. I’m starting to learn to love that app…
Notice some of the ‘yellow’ on the backside of the sketches… I suspect that ballpoint pen ink does that since it’s acidic even though the pages of the paper is non-acidic. Scary stuff. Makes me really glad that I’m actually taking the time to start shooting some of these before they decay even more in a few decades because of that type of thing.
Self Portrait with Cabin in Background
Acrylic, Watercolor, Pastel, and Charcoal on Cardboard
© 1999, Jeff Thomann
Figure Drawing on Watercolor Paper
Acrylic, Pastel and Charcoal on Watercolor Paper
© 1999, Jeff Thomann
Draped Figure Drawing
India Ink, Colored Ink, and Charcoal and Tea Stains on Paper
© 1999, Jeff Thomann
Reclining Figure Drawing
Pastel and Charcoal on Paper
© 1999, Jeff Thomann
Marker and Ink on Paper
© 1999, Jeff Thomann
Neon Figure Drawing
Pastel on Paper
© 1999, Jeff Thomann
Nude Self Portrait
Pastel on Paper
© 1999, Jeff Thomann
Nude Self Portrait
Acrylic, Charcoal and Pastel on Paper
© 1999, Jeff Thomann
Neon Figure Drawing
Pastel on Paper
© 1999, Jeff Thomann
Pastel Study for Bottomless Self Portrait
Pastel and Conte Crayon on Watercolor Paper
© 1999, Jeff Thomann
Triple Self Portrait
Pastel on Paper
© 1999, Jeff Thomann
This drawing was created in Missouri Hall at Truman State University in Kirksville, MO. It was done for a drawing class. I was in to ‘role playing’ a little at the time. The figures in the background were playing Dungeons and Dragons, and I was halfway playing that too.. Needless to say the gaming group was not too happy that I was drawing while they were actively sitting around the table, lol. That was about my extent in role playing D&D. I never could get too much in to it. I hated that all of their books were so expensive and usually hard back while Palliadium books were usually 20 bucks or less and soft back, so much cheaper. That, and I just liked the whole playing in modern environment vs the old medieval ideas in D&D…
as far as the cracked mirror/split mirror idea goes, it’s something that’s a theme in some of my self portraits. It’s a visual metaphor that has a lot of different meaning.
Conte Crayon, Pastel, White and Black Charcoal, China Marker
© 1999, Jeff Thomann
Pastel Figure Drawing
Pastel, Charcoal, and Collage
© 1999, Jeff Thomann
A few sketches and acrylic paintings I’ve started the last while. I don’t consider Drips an Acrylic Landscape done, but do consider Bottomless Landscape Done, and the pen and ink sketches are just doodles.
Well that lightbox does technically work but seems way too much of fire hazard for me to use a lot. I figured out a way to rig up my studio easel with the plexi off of that and a spring clamp to draw on the back of a photo to get the interesting things going on I’m trying to do… I back lit it with lights from the studio and also just looking at light in the dining room on the ceiling while I lay on the floor with easel hovering above me. Finally went to the studio since some of the color pencil marks were falling off… that blasted gravity… I really am interested in this sort of thing since it lets me combine photography, illustration, drawing, and painting all in one interesting and bizzare process that gets very neat results, or I am hoping will get neat results. 😉
Galveston Harbor, © Jeff Thomann, 2011
Media: Watercolor Pencil, Color Pencil & China Marker
I still don’t think this image image is ‘done’ but it’s getting close to where I want it to be. I’ve reworked it many times. I’ve been technically working on it about 2 or 3 months, but most of that time I was just looking at it. Since I started The Artists Way again this week I’ve been working on it an hour or two every morning and night, every day.
I have no idea how many real working hours have been put in to it, but there’s been a lot. I’ll put multiple layers in, erase them out, scatch out highlights with a burnisher, add more color, erase out some with an electric eraser, add more color areas, rework, etc. The gesso in the foreground has probably lost most of it’s tooth, as has most of the ‘water’ area to the left, but I keep adding new marks to it all the time, so I may have another few hundred hours of work to put in to it before all is said and done?… I’ll probably move on to some other artwork for now so I don’t really overwork it beyond a point that I can’t fix it any further. The scan was taken without any fixative added. I hate how shiny color pencil glare causes an image to really get a lot darker looking in the scan then it is in reality. The image is based on a couple of photos that I’m putting together in to one image in the drawing. I’m trying to be careful to leave some of the white of the underlying gesso. Most of the cloud area is almost pure white from the gesso with very little color pencil. I probably need to rework the middle ground and the ship in the background a lot more, but maybe not since some atmospheric perspective isn’t necessarily a bad thing here.
8/3/2011 Self Portrait #1 © August, 2011 Jeff Thomann
8/3/2011 Self Portrait #2 © August, 2011 Jeff Thomann
8/2/2011 Rose Study #1 © August, 2011 Jeff Thomann
8/2/2011 Rose Study #2 © August, 2011 Jeff Thomann
Jackie’s Rose © August, 2011 Jeff Thomann
Palm © June, 2011 Jeff Thomann
Palm 2 © June, 2011 Jeff Thomann
Self Portait © 2011 Jeff Thomann
This was created using an old car rearview mirror so I could only see half of the face without shifting location so it was a bit of a challenge. As you can probably tell, I was focusing primarily on the lower nose/chin/neck area more than the rest of the face.
It took me 29 minutes overall, and time flew by because I was so intently focused. Getting good greyscale gradation levels with a small drawing surface like a ball point pen is challenging, especially when on a timeline like I was with this. I did complete it in under a half hour though.
I can see some improvements already in the self portrait drawing skill vs the last self portrait like this I did. I use self portraits as sort of a checkup on my skills since the human face is a good indicator of art skills on a lot of levels. Drawing faces with glasses on is always a bit of a challenge too since it changes the lighting a lot and gives areas that need new details.
I did the glasses on though because I’m working on a color pencil drawing in the mornings that has Tekla with glasses on, and I wanted to study a little in these ballpoint pen drawings how the glasses affect the light and shadow on the face so I can do better in that and future drawings with glasses. The color pencil drawings are very tricky since I’m using a lot of different colors, layering techniques, and a lot of erasing and actual burnishing techniques – actually in some areas on those I’m using real print making etching tools to do scratcherboard type techniques in limited areas since I’m using gessoed hardboard. That is definitely something I would not be able to do if I was using paper for the color pencils. The color pencils are almost like mini-oil paintings. Now it’s after 6 Am so I better start on the color pencil as the time allocated to it is before 6:30 AM, lol.
5/26/2011 – 22 Minute Self Portrait © Jeff Thomann 5/26/2011
Media: Ballpoint Pen on Paper
I’m not too keen on the that big right eye and super dark area right below the chin in the neck, but that’s the sort of stuff that happens when you are doing a self portait. Actually, the eye kind of adds to that expression I think. I probably went in to too dark and harsh lines too quickly about 20 minutes in — easy to do in this type of drawing. Also, working near the edge of the paper is always a tricky thing to do, but an important thing to do.
Emotions play a big part in drawing. I had a pretty rough/stressful day at work, so I think that played in to this a little in the expressionism gestures in the line quality, etc.
I stopped it at 22 minutes instead of half an hour because I felt that if I kept going I was really going to overwork it way too much. Getting fine details in a quick sketch is always a tricky thing to do. How far is going to far. How much time is left. The clock starts to not matter much but I want to keep these below 30 minutes for now.
I ultimately want to do one quick sketch like this daily and then one longer work that takes a long time on the side after that. This is a transition in to that. Currently I’m working on some color pencil drawings for the longer drawing, but didn’t work on it yesterday or today. I want to make the quick sketches be done every single day regardless of how I feel or if I want to or don’t want to draw that day. If I keep them below half an hour, that’s a lot more possible and realistic then trying to do a masterpiece that takes hours daily, etc. Time management is an important and difficult thing to master.
I’ve started sketching again a bit. Here’s a couple from the last week.
I’m going to try to make it a point to do these 20-30 minute drawings daily after work, and then do more complex artwork after that. It’s sort of a fast way to retrain my art skills, transition from work life to art life, and try different things out to learn or relearn techniques, etc. I may upload more of these type of drawings in the future.
Halfway to 70 (Self Portrait)
© 2011, Jeff Thomann
Media: Ball Point Pen
“Halfway to 70” is the name of this one. It was a self portrait I did the other day on my birthday (yes, I’m 35 now). I’m not super happy with it, but considering it’s a self portrait done in about an about an hour or so it’s not half bad. Did it with ballpoint pen. Lots of artists do self portraits on their birthdays, and that’s something I have not done much of in the past, but figure it’s a descent time as any to start this annual project.
I quit when I did because I was making the shading too funky and could feel myself “overworking” it… Hard to stay with a fresh drawing feel and look if you go after too much realism in the shading/tones
I Really don’t think it “looks like” me totally. It’s hard to do self portraits since you are constantly moving as you draw, so your reference is always changing. I used china marker on the bathroom mirror to keep basic shape in the roughly right location through most of it. I’m going to probably do more freehand drawing things like this now and then to get my skills back in shape.
I spent about 20 bucks today on ball point ink pens. I got a cheap Wal-Mart Brand called Inc Discover Bold. Not sure if it’ll be up to the Bic standard that I used to always use, but maybe. Price was somewhere around 1.89 for a pack of 22 or so. Since I’m on a budget and am really loving looking at my old ink drawings with all of the scans I’m doing lately, I think I might get back in to doodling with ink pens. I like them more then color pencils for some things since they are fast, can literally have infinite levels of details and grey tones, cross hatches, stippling, etc. if you allow them to, and are really quick, easy, and non-messy to work with (at least if there is no ink leaks in the pens). Once the ink dries it’s even less of a mess then graphite pencils…
As far as the scans go, I have quite a few of the little bitty sketchbooks scanned now, but not all uploaded yet. I’m going back through the scans and cropping each page out since I scanned about 5 pages per scan in most of the latest ones.
The main little sketchbooks left to scan are mainly diaries/dream journals. Back in college, my Senior Project involved doing some oil paintings based on dreams. I’m not sure if I’ll upload the dream journals or not since those are some pretty oddball, hard to read, and private thoughts in some of them… However, I might since they are many years old now and some of the stuff is actually intended as educational or philosophical teaching material on some levels…
Need to edit my categories. I removed a lot of the tags that were not relevant yet, but may be in the future and moved them over to a google document mentioned a few posts ago. I’ll keep growing that list over time as I start honing in on various things to tie keywords to in my future image creations, whether in photos, 3d animation, or illustration.
I plan on having ink pens nearby no matter where I am during the day or night. I want to get in to the habbit of doodling, drawing, writing down ideas, and sketching more as I used to do but have gotten out of the habbit of doing for a variety of reasons.
When I’m at work, I scribble notes from phone calls, etc. in a notebook that’s next to me all day long. Many times, I doodle out various stuff in the margin, just like anyone else does in any classroom across the country on any given day… Similarly, I have MS Paint up all day and doodle in it sometimes on breaks…
I cannot do the MS Paint thing and concentrate on other things at my job as well, but might be able to do something like that with the sketchpad/notebooks more then I have in the past… since the notepad is on my left sitting on a desk, and my right hand is constantly using a mouse to do various things at work all day…
so… one thing I’m thinking about doing is keeping tons of ink pens on hand to doodle silently as I work away. It won’t be masterpieces, but just various oddball images, etc. It’s something I’ve never done much of in the past, but think there might be possibilities here for a lot of various things. It won’t break my concentration on my job tasks etc…
I have color pencils at work too, but won’t use them too much for this sort of thing, even though I use color pencils on breaks sometimes, because color pencils are too loud, and disturbs the concentration of those around me.
Just seems that there is 40 hours a week that I’m not doing art stuff that’s more or less being wasted, at least artistically (even if it does pay the bills). Want to fix that problem and start doing more art without loosing concentration or focus on what I’m really there 40 hours a week to do. It is possible to multitask – and many times I’m doing that subconsiously anyways as things play around in my brain all day long – maybe it’s time for me to take that to the next level.
Genesis – The Golden
Copyright 2010 by Jeff Thomann
Media: Color Pencil on Gessoed Hardboard
Original Status: Not for Sale at this time
Original Size: 5″x7″
I’m going to start using Zazzle more. It’s similar to Cafepress, but also different. I will likely go back to each of my artfolio images and re-upload them to Zazzle eventually, putting a new link to my zazzle account in each of the posts that I’ve already created on Cafepress. That way my products are in both Cafepress and Zazzle. I am also probably going to do likewise for Createspace, and Lulu. Additionally, I’ll likely move some of my images that are on Turbosquid over to Zazzle and Cafepress so that the good photos are on all the markets out there. I’m also investigating a few places that let artists sell their real world artwork directly and not electronically. I might use one of those places to sell originals of some things eventually.
My Zazzle shop is located at http://www.zazzle.com/jeffthomann
If you have a digital camera, mp3 player, voice recorder, or even a cell phone, you probably already realize how important it is to have batteries that work on hand at all times. If you ever get in to creating stock photos or just using a digital camera or video recorder to give you source material to work with in whatever form of art you work with, this becomes even more important.
I can’t tell you how many times when shooting digital stock photos that I was out clicking away with a camera in a park or downtown somewhere and the camera I had on hand quit working because I ran out of battery power. That is a huge annoyance, especially if you like shooting clouds like I do, and you are in a time when the sun is either rising or setting, so each second lost that you did not get a shot of is gone forever because the clouds shift on you constantly and/or the “magic hour” changes dramatically as your big lightsource, the sun, is moving quickly under or over the horizon. “Magic Hour” really is not an hour. Twilight hours of sunset can cause dramatic changes in the light and way that things look on the horizon, and everywhere else outside in literal minutes or seconds.
My advice is that you have a lot of rechargeable batteries on hand and a couple of rechargers for them, and use the rechargers often. Some people say that rechargeable batteries have some sort of memory thing in them and remember how long each recharge took, so it’s bad to put the batteries in to the recharger before the battery is completely worn down. For some batteries, that may be true, but for most regular AA and AAA rechargable batteries, I don’t think that’s really quite the truth. I typically recharge my batteries when the camera shows that they are about down to one quarter power and have never really had a lot of problems. Of course, I am constantly recharging some batteries, so it’s hard for me to tell if that is an issue…
I have two rechargers. One of them holds a lot of batteries and I keep it at home, the other only holds four batteries, but it has a plug in that folds down. I keep that one in my camera bag, and carry it with my camera so that I can plug in at any time, anywhere. The bigger recharger is too large to do that with. However, I keep the bigger recharger full a lot of times and rotate out batteries from there often. I basically try to keep a handful of batteries charged at all times. If some of the the batteries sit unused for a few weeks, I go ahead and recharge the pile anyways so that they are ready when I need them.
Storing a bunch of batteries in a camera bag is a major pain, especially since most of the time, when you buy batteries they come in boxes that are meant to be thrown away after being open. For storage at home, I keep the clear plastic part of the boxes that the batteries came in, and might cut that down to size, and fit it inside of a Altoids box. Those little metal boxes that Altoids come in make fine battery holders since they are just big enough to hold a few AA or AAA batteries and still allow the lid to close. You would think the metal boxes would shock me since I’m putting batteries in them, but so far, I’ve never had any shocks or anything, so I guess the paint or ink they use on the box must not conduct electricity. Even if it does, I’m putting plastic liners from the boxes the batteries came in between the actual battery itself and the metal of the box, so that makes it all work well. To keep the Altoid boxes closed, I simply rubber band them shut.
I used to keep at least one of those Altoid boxes in my camera bag, but lately, I’ve gone to not keeping those in the camera bag since they are a bit of a hassle to mess with out in the field, especially as the rubber bands age, get weaker, and break, leaving the batteries to roam free in the camera bag, where all sorts of potential problems could happen if the acid ever did leak…
Now, in the camera bag, I keep the two batteries in the camera that the camera requires, and keep two batteries in each of the two voice recorders I carry in the bag, for a total of four spare batteries, or two battery swaps between the voice recorders and the camera in case the camera battery charge runs down. I find this ideal since the batteries are stored nicely away in the recorders, and if I do feel the need to use the recorder to record my own voice for notes or just feel like recording something out and about, like a bird chirping, a motorcycle whizzing by me, or whatever, I can just pop out the recorder and it’s ready to go. The reason I have two recorders is that I bought one, thought I lost it, bought a second one, and then a few months later, discovered where I had put the first one… It’s funny how that happens sometimes with little gizmos and gadgets.
If you don’t have a vocie recorder, but have some other tiny gadget that uses the same sort of battery as your camera, you might look in to getting something like that to hold your batteries so that you don’t risk having the batteries just jubmled in the camera bag or case, ready to give some nice acid burns to your camera or whatever else is in there. I’ve only seen a battery leave an acid burn on something one time – it was an old plastic mug that I used to store non-rechargeable batteries in many years ago before I started using rechargeable batteries. The marks it left as the acid dug in to the plastic of the cup were horrible looking. It’d really suck to see something like that happen to a digital camera.
Other things I keep in the camera bag other than the camera, the voice recorders, and the little battery recharger are the top part of a big tripod that actually attaches to the bottom of the camera, and a mini-tripod. I also keep a couple of thumb drives and spare digital camera chips in there to make it easy to store things. The thumb drives are attached via a little stretcy cord that the casino gives out with it’s cards for people to use to remember to not leave their casino cards in the slot machines. I like that because it keeps me from loosing the thumb drives as they are attached to the camera case.
I actually have 3 camera cases. The first one is a little one that holds my little bitty camera itself and came with the camera. It’s very flimsy, but I keep it on there to cover the lens. I put the camera and that little case in to the second case, which is a big bigger and is what I mainly use to carry the camera around my neck when out and about. The third is a Polaroid camera case that I keep the other case in. I use it because it’s big enough to hold the littler case and a few other odds and ends – the tripod top and voice recorders, mentioned above.
I have an entirely seperate bag that I use to keep color pencils and sketch books in the car. At one point in time, I tried to avoid using the Polaroid case, and just put the little camera case in that bag, but that got to be too much of a hassle. Now I just leave the color pencil and sketchbook bag in the back seat of the car, and take the Camera in and out of the car, and with me wherever I go so that it’s handy, and does not get left in the car during hot/cold temperatures that could damage the electronic equipment inside.
At home I have a few toolboxes that I use to keep other things around the house/studio organized. I love the big tool boxes with different slots in them – nice way to organize pastels, pencils, ink pens, etc.
When I was in college, I used to haul a lot of big sketch pads, drawings, and some paintings in a plastic portfolio that I carried around campus to class. That was a major hassle since the classes were in various buildings scattered around campus and my apartment was several blocks away. Carrying big portolios is a tough enough job by itself since they are big and bulky… That only gets worse as you get more and more things in there to carry. You would think paper, being as thin as it is would not be heavy in big bulks, but you would be wrong… especially on humid days when the paper absorbs a lot of moisture just to make itself heavier for you. To make that walking around campus more handy, I ended up taking a duffel bag strap and attaching it to the portfolio handles. That made it much easier to handle the bag and still carry other things like books that I needed to take to class. I have NO idea why porfolio making companies have not made it an industry standard to put shoulder straps on portfolios yet. It’s something that really is needed to help make it easier for all those art students and aspiring artists everywhere be able to carry their stuff. Some Art Directors might like the neat little polished look of the little bitty handles on portolios, but I suspect that they would like the portfolios a lot more if the artists were more comfortable actually walking around with the portfolios so that they could bring them in more often, and have a descent amount of work in the portfolio to show off. I know a lot of artists aching backs and shoulders would be thankful if big art portfolio started getting made with shoulder straps.
Getting organized, and able to transport your art making supplies, is one key to creating great art. A tool such as a camera, voice recorder, pastel, conte crayon, paintbrush, or color pencil is not very useable if it’s buried in the back of a closet in a box underneath of a lot of other things. Each individual artist has to come up with their own organizational strategy that fits their own personalities and needs. If you are not organized yet, you might look at ways that you can start getting that way in the near future. It really can help you be creative when you have tools that are handy that you can grab any time and just start using. Digging around for stuff is a major hassle.
I love keeping the shavings off pencils as I sharpen them. Sometimes there is just enough color or graphite left to allow for one or two more uses of the leftovers on there that might come in handy someday. Additionally, the shavings are handy for doing interesting things such as creating brush strokes with paint that would be impossible to create with normal brushes, blending color on paintings or drawings by using the shavings as blending stumps, or they can be useful to just have around, sitting in a plastic bottle or jar to look at for inspiration since they various colors and shapes can sometimes give me compositional ideas.
Similarly, I love keeping paint covered palletes and clothing that I’ve used over the years. The splatters on the clothing of various material, whether it’s plaster, paint, tar, or something else mix to create interesting forms and shapes. I think Jim Dine used to keep his studio clothing as seperate pieces of artwork in and of themselves. This is a very good idea. The various materials I see on the various pieces of clothing that I’ve coated with artistic make me think about what was done to create each splatter, and shape, and form. Lately, for palletes, I use paper or stryofoam plates since my latest easel is made to hold those – that makes it a lot easier to keep the pallettes after the painting is done than it used to be when the palletes were expensive items that I typically ended up damaging as I tried to clean them off. It’s a memory jarring thing for us artists. My wife just calls me a pack rat, lol. I might take some digital photos or scans of some pallets and painted clothing sometimes, and create digital works from that. That’s what’s very nice about art – you can recycle ideas, shapes and forms, or elements of various artwork over and over… Infinite possibilities…
I also like keeping old paint brushes. The shapes they can create are likely unique. The same applies to any art instrument or some non-art instruments that can be converted in to art instruments. I love using various items as paint brushes sometimes… Some of the various items I’ve used in the past as a paint brush or brush to apply ink to paper or canvas are tooth picks, old tooth brushes (only use my own for that though so I don’t get a lot of other folks germs, lol), pieces of fabric, sculpey, thumbtacks, branches off of pine trees, pine cones, feathers, blades of grass, nails, screws, and broken light bulbs just to name a few.
I also like to keep a few oddball items around just to play with or to get ideas from… I don’t smoke, but keep a ciggarette lighter in my drawing toolbox sometimes – burnt edges on paper can look neat. I also keep a small handheld mirror or two as well as a full length mirror in the studio to play around with. Knives can be useful for digging layers off of paintings too… or just be neat to look at and draw…
I have one really wicked looking hunting knife in my drawing box that I used to keep in there for protection purposes, not that I ever had to use it. You never know who might come up to you and start bothering you if you are an artist out in the wilderness somewhere at a park or something and are trying to do a pein air painting… I don’t condone violence, but I hear about rapes, murders, and theft in the news way to often to just be out there in the woods by myself on the side of a hiking trail to not have some sort of protection nearby, even if it is just an old cell phone that can be used to call 911.
They say that any cell phone has to legally be allowed to call 911 regardless of whether you still have service on it or not – might not hurt to keep one in your drawing toolbox, basket, book bag, or whatever you use carry around with you to hold your brushes, pencils, or sketchbooks, especially if you are female. In the worst case scenario it could save your life. In the best case scenario it can be useful to call your spouse or significant other to come and pick you up, or to call for a pizza delivery or something. Most cell phones these days have cameras on them – so that is a useful art tool in and of itself, and makes carrying one around with you at all times something you should really think about doing if you are not already.
I have not tried this yet on paintings that are larger than the width of my scanner, but I might give it a try.
It’d have to be cheaper than trying to get a professional camera studio together, trying to buy gigantic flatbed scanners, or taking paintings off of the stretchers to have some place like Kinkos scan them in their big roll scanners (cost of doing that is like 7 bucks just for getting a digital scan – no printing cost – tha’d be extra, and then I think only flimsy paper stuff works.. and I doubt they’d put charcoal type stuff in their scanner, but I could be wrong?)
On the other hand…
Some of the arguments against flatbed scanning mentioned over at http://photo.net/photography-lighting-equipment-techniques-forum/00Tl26 are pretty good ones…
I have mentioned color pallette in a few postings already, but don’t think I’ve gone in to a lot of detail about my personal preferences in my own color uses, why I have those preferences, etc. so I figured it might be time to post a little bit about that here, even though most of the stuff that I’m uploading to the artfolio is not color yet – It’s mainly black and white or blue and white sketchbook scans for now, but I’ll get around to uploading the color works later, and at that time, it’ll be good to know a little about my use of color.
For those of you that don’t know this yet, I am partially color blind. Greens and Reds that are medium toned or darker tend to look alike to me, which appears to be the same color as a grey color (just black and white) tone of the same value. Luckily, I’m not fully color blind, or else this little issue would have a much more major impact on my artwork than it does now. Bright reds, and greens are very visible to me. It’s only the darker tones that are usually seen in shadows that make things a bit difficult for me.
Because of this, I have a tendency to drive myself towards pointillism type of styles, or similar types of styles that use visual color mixing instead of real color mixing, at least in this part of the color spectrum. That way, I can move in very close to the canvas, and look at what is going on with the color blobs up close and personal to try to resolve issues and create a plan of attack to figure out what move to make next in this chess game of creating art.
Eye strain headaches does come to me after a while of doing this sort of stuff, especially since I’m near sighted… because I’m constantly looking at different areas of the painting, or color drawings at a distance, and then up close, and then at a distance, and maybe upside down to check composition, etc. I did not even realize I needed glasses for my near-sightedness until after I graduated from college, but I really should have probably gotten glasses a very long time before that. My dad loves transitions lenses and got me hooked on using them since they keep me from having to constantly buy sunglasses only to lose them. However, the transition lenses do cause me problems when making art and viewing art sometimes since they put a dark tone on everything I see through them. Because of that, I have to take off my glasses to view things in museums, galleries, or as I paint sometimes so that I’m not making major color/tonal mistakes. That causes even more eye strain on occassion. I do like the transition lenses since my eyes are pretty sensitive to light, and they make staring at a computer all day at my 40 hour a week job more tolerable. However, I hate that they cause me to not be able to see a lot of true colors at a distance… All through school, I remember squinting a lot in painting classes and drawing classes. I just assumed that this was normal at the time since I had never thought to check with a vision specialist. I knew that I was color blind, and just sort of assumed that the squinting and headaches were a normal part of the process of creating art. I sometimes wonder how things would have been different if I had glasses way back in elementatry school….
Strangely, all of this does not have a huge impact on viewers of my work because a lot of artists use green to muddy down red and vice versa to get shadow colors and tones as they are on opposite ends of the color spectrum.
My favorite colors are somewhat bright and intense. As mentioned in another post, I love the color pallette that folks like Remington use, where there’s lots of vividness to the work and it sort of brings a positive cheery mood in to play.
I like mixing colors on the canvas itself visually more than a lot of other painters do. I do mix colors when I can but like using paint staight out of the bottle when possible so that it’s easier to come back to an area and re-work it or balance it out with similar colors on opposite ends of the canvas if I need to… Stuff that comes out of a bottle is usually mixed fairly closely to other stuff that comes out of a bottle that has the same label and is made by the same company. That makes it easier to not have a lot of worries about painting an area and then needing more of that same paint mix later, but not being able to find it because you cannot figure out the exact proportions of which paint you mixed to arrive at that color, especially when, like me, you are color blind so physicially mixing the paint is a very difficult chore. That label on the bottles of paint helps ease my mind in making decisions since I know that the green in that bottle is the same green that I got out of that bottle an hour ago. Pointillism type effects can be used to help mix and match just about any color that exists, at least at a certain distance.
My favorite oil paint colors are usually Cadmium Red (for bright bold red intensity), Crimson Red (for darker red tones and colors), Currealean Blue (for highlights that are in blue – lots of artists are afraid to use blue in highlights, which is a huge loss to their works), Cobalt Blue (for mid-intensity blues), Prussian Blue (for really deep dark blues), and occassionally a very bright yellow, and maybe something strange like violet, which can be very bright and noticible if applied thickly or almost unnoticible if applied thinly with the rest of the colors mentioned above, either scumbled on or put in to small dabs in small pointillism type fields of color on the canvas. I also use just about any other color out there that I can on occassion in small bits, but the colors listed above are the main ones that I usually end up utilizing the most. Most of my works usually end up heading toward red/blue side of the color spectrum because of that. There’s just something about Purple/Violet combinations or near-purple violet that is reached by visual color mixing that I really love – it’s a deep passionate, and dramatic color scheme.
I have a bad tendency to sometimes fall in to the elementary color trap that many artists fall in to on occasions, thinking of blue as dark/cool, red as bright/midrange, and orange for brighter areas than that, and yellows for highlights, instead of really looking at the way things are in reality and trying to match it as closely as possible – where all areas of the color spectrum exist in both bright and dark areas. I do try to balance out that fallacy, which is not always a true representation of reality when I can, but it’s usually a lengthy process since I try to put more and more color range in to both shadows and highlights as I proceed throughout a color pencil drawing or painting — many times I fail horribly and overwork the artwork. It’s hard to know when a work of art is “done.” There are defintitely “levels of doneness” as I like to think of them to any work of art…
Simple abstract forms with simple lines is the first level. The second level takes that and adds more tones or patterned areas to break up the light and dark more. The third level balances things out more and more, making the really complex patterns more worked out with brush stroke placement becoming one of the most important aspects of the work – a small line that’s the wrong color in the wrong place can unbalance everything and cause compositional balance to completely dissappear. Then, on the next level, things really start getting complex… as Professor Bohac used to say, that’s when it’s time for an artist to “fight their way out of a paper bag…” because a simple little thing that’s as wide as a centimeter or smaller can unbalance the entire work…. and as paintings start coming to a level of “reality” that is almost near photo-quality things get even more complex, and the “living elements” of the work start dissappearing more and more… The more realistic a painting gets to be, in terms of photo-realism, the less gestural qualities the work has… Artists, especially those that work with narrative, portrait, or landscape subjects can find themselves in hard to get out of places with their works as they get in to internal conflict about “how realistic” to make the work… since each level of realism requires more work on the entire canvas…
A simple line drawing done in 30 seconds or less can be thought of as a final work of beautiful art just as a photo-realistic painting that took thousands of hours to create can… Any and Everything in between these two extremes is where most artist live. It’s a very dangerous rocky terrain with a lot of smooth valleys full of beautiful smelling flowers. It takes a true artist to know how to balance it all out and make sure that the level of realism is right for the work in question, and each individual area of each work’s composition in question. There’s a different answer for each artists and each individual work.
As I post more artworks in to this blog, I’ll try to explain my own individual tendencies, techniques, and ways of doing things to get my works to where I want them. It is often said that an artist is his/her own most critical judge. I agree with that somewhat. However, that judgement is what makes us who we are, and makes us strive to do better in the future, or to strive to make horrible and hideously disgusting works that cause fear in the hearts of mankind…. It’s all about figuring things out and making them work… knowing the messages you are trying to communicate and trying to find ways to make those messages clear. For me compositional balance is a very important thing. For others, maybe not so much. I’ll try to post more artwork here in the blog later this week.
I’m constantly reading various books, blogs, websites, reviewing new material, reviewing old material, and rethinking about some of the content in those books, blogs, websites, etc.
Moving forward, I’m going to reserve the “Interesting Reading” tag and category in this blog for interesting reading articles, website links, links to books that I’ve come across, new thoughts I’ve got on old material, etc. This is not necessarily for “book reviews” so much as to toss an interesting piece of information that I’ve come across at you to think about a little – a pebble of thought, in to this wide Ocean that is the Blogosphere.
The Exhibits Tag and Category of this blog is reserved for artwork that I have enterered in to various exhibits. I will try to mention in each individual posting, or in the first comment of each posting which exhibits each item was in. I will also try to create a tag, and possibly as category for each individual exhibit. However, the main exhibits tag and category will be applied to all works that were in any exhibit.
Similarly, I’ll try to tag each item with a tag denoting the original year that the item was created. By default I’m tagging all artwork that I know that I created in College with the college and 1999 tags since I graduated in December, 1999, and I might not be able to pinpoint the exact year between 1994-1999 that the college artwork was created. (Yes, it took me 5 and years to graduate from college, but that’s mainly because I took a few extra classes in order to get a theater minor).
Artwork created in Highschool will be tagged with the tags 1994 and highschool because I graduated from highschool in 1994.
Has anyone found a way to get a Canoscan N1220U Scanner to work under Windows Vista yet? I’ve been trying various google searches for this and am seeing websites and forum info on it that says that there is a fix in the works, but no actual fix yet. Surely there is some way to make this work… If nothing else, maybe there’s a way to get cygwin to do it with some linux driver or something. I would have tried XP or 98 under Virtual Box or some other virtual solution, but I don’t think that sort of thing is workable since usb connections on virtual stuff is pretty slow, and/or might not work at all?…. Need to get my scanner working so that I can actually try scanning some stuff small paintings, and sketchbook things…
I have a found a temporary solution – I’ve hooked up my scanner to a second computer that is using XSane in Ubuntu Linux to do the scanning… but if you folks do find a solution to the Vista problem with this scanner, please do leave a comment with your solution, because I’m not sure this temporary fix is doable for the long term.
I plan to tag and categorize all future posts that I consider a part of my true art portfolio as “Portfolio” at some point in the future. This is different than the posts tagged or categorized as artfolio. Artfolio is reserved for all of my artworks posted in this blog, both unfinished and finished as well as works in progress, quick preliminary sketches, ideas, notes on technique, diary type art-related postings, etc. Portfolio tagged items are a subset of Artfolio tagged items which are more finished, and worthy of viewing. A lot of artists don’t like to show the unrefined, unfinished works to the public for a variety of reasons. I like doing this so that it’s easier to see techniques being used, discuss various methods of doing things, discuss the historical rationale behind symbols and patterns being utilized, etc. That’s why I created the artfolio tag and category. The portfolio tag and category is reserved for things that I would, and may actually put in my real world art portfolio. The Artfolio stuff is more of a hodge podge mix of everything I do that’s art related.
I consider all members of the Columbia Art League as “Fellow Artists” since they are all local folks. I am not currently a member of the Art League, but was a couple of years ago. I quit because the gallery was only open during hours I could not get to it, and because real world cash flow issues kept me from having a lot of free flowing cash to spend on art membership fees and art supplies over the last couple of years. Since my work schedule will be changing in 2010, I might look in to joining again. The Columbia Art League’s “Online Artist’s Village” is located at http://www.cal.missouri.org/village/index.html.
Rachel and I were classmates together at Truman State University in the late 1990s. We attended quite a few painting classes together. I remember fondly having some in-depth discussions with her as we both sat fatigued on the painting studio floor after having been in our own little corners of the room pulling all-nighters.
Her work has a serene beauty to it. A few of her drawings are sometimes simple on the surface, but very narrative and complex under the surface. I really enjoy her mastery of color and simple lines to evoke a lot of feeling. Her use of compositional space draws the viewer in to the little worlds that each individual painting or drawing depicts and describes. Her works may be small, and intimate since they require the viewer to get up close and personal with the work, but they pack a powerful punch.
Rachel’s Blog is located at http://michaeltiger.wordpress.com/. Her blogging is one of the many things that have inspired me to start blogging again.
Items tagged with the tag Fellow Artists are going to be dedicated to some of my fellow artist friends and their websites. Here, I plan to link to websites, blogs, and other interesting online projects that some of my fellow art friends have created, run, or maintain. I’ll try to keep the list narrowed down to artists that I personally know, or have some affiliation with. A copy of these postings will also be added to the Fellow Artists Page in my blog.
People say that it’s not good to show “everything” in your online art creation portfolio or “artfolio”. I’m of a different opinion. Although it is important to show things in a pleasing manner, taking display and presentation issues greatly in to consideration, etc., especially in a resume/full portfolio presentation website that is being used to try to get a job, find new clients, etc., it is also fun to show off every darn thing you can… let the viewer see your mindscape in it’s totality. Where have you been, where are you going… what does a work-in-progress look like. What techniques were used to get from point A to point B to point C to a finished work. Process and technique are sometimes just as important, if not more important than the actual finished work of fine art. Sometimes, especially with artwork that uses the dimension of time and space, temporal attributes of the work are part of the main essence of the piece. For that reason, among very many other reasons, I likely will upload some of my older works here someday soon, assuming I can get halfway descent scans or photos of the works.
Going foward in time from now, postings tagged as artfolio, painting, drawing, pastel, digital painting, oil, acrylic, color pencil, etc., will be postings of my artwork, and each will probably a little description or at least title for each work. All works considered to be a part of the artfolio will be tagged and categorized as artfolio so that you can get to them easily without reading a lot of other postings about other things that I post about.
I plan to upload a lot of art, and create more to upload in the future…. I’m also going to try to put most of it on cafepress products and link to them from the artfolio, just in case you see something you like and might want to buy on mug, poster, greeting card, or something else. I know that most of it will never get a sale that way, but you never know. I would have never thought that people would buy some of the photos that they have purchased over the years on turbosquid…
I also might try selling some of the original artwork at some point in time when the time is right… and there comes to be a need to sell some of the stuff. In today’s digital world, what exactly is an original work of art anyways?!?… there’s a philisophical question for ya.
Some of ther artfolio work is on ok quality of work. Some of it is near perfection. Some of it severely sucks as artwork, but might have some other interesting quality that makes it worth taking a look at by more people than are looking at it right now, at is sits in a closet or sketchbook somewhere collecting dust… There are some interesting transitions in my style over time, interesting themes I like to revisit over time, etc. This is all stuff that art historians typically study once an artist is dead… Why let them make guesses after I’m dead since I’m alive right here and now?!?… I’ve never understood why artists don’t try to show their ALL to the public. Reveal the inner workings of their minds. We, as creative people, have a lot to offer to the world. Without further ado, welcome to “Jeff’s online Artfolio!”
Feel free to comment on various postings. I love feedback, both positive and negative (although in most real world art classrooms, it’s typically peferred that if you have something negative to say that you offset it with something positive to say – Constructive Criticism is what I’m really looking for…). In the future I may create “Jeff’s online Portfolio” which will be a subset of the Artfolio that focuses only on the best works in a more “traditional” portfolio website type of format. Until then, enjoy the upcoming visual feast.
Inspirations… This, and future postings that are tagged as Inspirations are postings dedicated to works of art that inspire me. The postings tagged as inspirations could be thought of as a sort of “Jeff’s favorites” list of artwork, or list of art works that Jeff thinks about somewhat when he’s creating his own works. I honestly like a lot of various artwork for different reasons – and might even go so far as to say that there is something I can find to like about any artwork in the world… at least for some reason… In inspirations tagged postings I’ll try to explain why I like or am inspired by the works of art described or linked to in the individual postings. The Inspirations postings are actually sort of a challenge to myself to think about my own habbits & thoughts, as well as force me to actually look at more artwork than I typically do today on a regular basis. I live in a city where there’s not a whole lot of art galleries or museums, and those that are here or nearby are typically opened only during hours that I have to be at work, etc. so my actual viewing of artwork is a lot more limited than it probably should. Hopefully the inspirations tagged postings here will help me get past that a a bit, and continually grow as an artist myself by looking at what others in the world around me are doing instead of only looking at myself in the mirror…
Every day that we go to work (Tekla and I carpool) we get the pleasure of down I-70, crossing the Missouri River Bridge near Roacheport, Missouri. When we started doing this a long time ago, I didn’t like it much since I-70 can be pretty dangerous sometimes. Vehicles moving that close together at 70 miles an hour is a little wiked at time, especially if there’s ever a wreck and you have to slam on your breaks very quickly before you smash in to something or someone in front of you… However, over time, I’ve grown to not mind it, and actually enjoy it.
It’s a beautiful drive even if the sun is right in our faces going to and from work some times of the year since it’s right on the horizon almost directly in front of us. I really like watching the clouds and landscape as we drive in this beautiful area. There’s a lot of little things we see daily on these trips – you know, little landmarks and things along the way, that sort of act like a sort of metaphysical reassurances that we are on the right path home, etc.
There’s a big hill you go down right before and after you get to the river… really it’s all a large valley that used to actually be under water many, many, many years ago before people started using dams and things. There’s always more weather in this hidden little gem of a valley that has lots of rich colors, and soil. Fog comes here many times when it’s no where else along the road because of the river. Lightning and rain storms come here more often than other areas along the road between our home and Columbia. It is a very natural location. There are many trees and signs of life here in bushes, wild flowers, and occassionally animals we see along the way… There is also a rail road that is just before the bluffs that travels under the highway. Going away from Rocheport on the other side of the river, up that hill near the train tracks seems a bit steeper than going the other direction. Semis have trouble with that hill sometimes – if you want to pass them, on that climb up to the corner is the best place since they will slow down as they go up the hill… but do it quickly – they will gain speed again once they come around the bend. The hill in this location seems a lot more spooky and a lot longer distance at night than it is in the day time. In the day time is is a neat place since you are staring in to the horizon’s beauty. At night, it’s dark and there’s sillohettes all over the place so it’s a little freaky somedays, especially on snowy days when speeds on the highway are low for everyone. Snowy days in the daytime are a little bad too since that heavy blanket of clouds hangs over this location near the river heavily with a dull, middle grey tone to all the colors that are normally brilliant in the shining sun here…
I love taking photos of clouds in this area since the sky is so wide and open so you can see many colors and shapes in the clouds that you will not see in the city because of power lines and building structures everywhere. However, pictures never do the place justice since they are only two dimensional renderings using cymk instead of real life 3d rgb backlighting on the biggest stage in the world – the great outdoors. Similarly, there’s another area without a lot of overhanging trees and things near the first exit of Boonville and near Midway, both of which are about equidistance from this River spot on I-70. Since it’s almost impossible to slow down and stop in the middle of the river, even though it is possible to stop in Rocheport – the view from there is not that great until you get to the bluffs themselves… by where the Winery is… which is a hassle to get to… I use the places near Midway and Boonville to pull over and take sky shots on occassion because there’s such huge expanses of uninturrupted sky there. It is nice to pull over in places like that and take a few snapshops of God’s great huge abstract paintings in the sky! 🙂
Textures in cloud formations are always rich and ever changing. Many colors of the rainbow lives in these areas. Sometimes even rainbows themselves live here since the river creates neat misty clouds that are low to the ground occassionally.
A little closer to Columbia, there is a smaller river, more of a creek – actually it is a creek, that has a golf course next to it. The golf course floods out a lot, and it’s interesting to see the water formations on the little manmade hills out there on the green when that happens. There’s also a massive amount of power lines just across the highway from there that create a gentle, curvey black line that moves from pole to pole with nothing else around it… that shines in splendor on occassion as sunlight on the Western Horizon bounces off of it … creating an amazing Chiarascuro effect that I’ve tried to photograph before but have never captured. I have wanted to do a painting of it for a long while but have not got around to it yet…
Just a little closer to Columbia from there, just outside of the city limits really, there’s a side road that runs from Stadium Blvd to Dawn, where my Aunt and Uncle live. Going from Columbia heading West, there’s a very unique and interesting visually harmonous formation that I love that is created by this little hilly side road sitting next to the straight and wide black expanse of highway that is I-70. The overpass right there probably helps that effect become a little more apparent, as does the fact that the sun is usually on the horizon when we typically drive past there. That’s something else I’ve been contemplating about doing a painting of. I think part of it is just a love of that area itself – when I was a lot younger my cousin and I used to jog in that area, over the overpass, and swing back out past the junk yard hidden by the great wall that you can still see the beauty of the uglieness of the junkyard through, on around a vast expanse of trees, and over to the mall where you connect back to the other side of the road on the overpass at Stadium…. There is a lot of beauty everywhere if you open your eyes to it. That’s what I love about art. It helps me open my spiritual eyes to the beauty around me. My camera is my “light” version of a sketchbook – used to capture many textures, colors, and other things. Even the most mundane place can be brilliant if you look close enough! 🙂
I might post some pictures of all of this stuff here in the blog sometime. I have taken multiple photos of various aspects of it all before, but never really put it all together in one piece and wrote about it like I am here. Maybe I’ll change that in the near future! 😉
I’m glad that I’ve taken up blogging again, and am doing it in this weird way of putting all my thoughts on a lot of stuff in here… it’s sort of like keeping a diary or sketchbook back in the days when I did sketchbooks daily. There’s a lot of creativity I can feel brewing under the surface of my daily life. Maybe this blog can help me punch a hole in the bubble of cancerous negative false skin that’s keeping that radiance inside of me from shining to the world… 🙂 😉 No, I’m not on crack. I’m just glad to be alive and am glad that I’m able to percieve the world in a positive manner. Doom and Gloom hit me too hard sometimes. It’s good to get over that negative stuff that’s pulling me down and move on.
This little light of mine… I’m gonna let it shine… let it shine… let it shine… let it shine…
we hold these truths to be self evident – there is no one version of the truth. The truth is a multi-faceted jewel. In our limited perceptions of space and time, biased by our own unique psychological histories, we can only see one small bit of truth that we claim as our own. The problem is that when we see that, our truth, which is one small part of the gigantic diamond that is reality, we sometimes try to get others to see what we are seeing as the truth of reality, but in the mean time they cannot see that because they are having the same problem – you see they are standing in a different place than we are… seeing another part of the spectrum that makes up the many colors of the prism that is radiating from the crystal of the real truth. We need to be careful when we do this… argueing gets us no where… all it does is lead to war and strife. It is hard to remember this sometimes… but knowledge and wisdom is the path we should follow to live in this world in true peace and harmony like the peace the many religions of this world teach us but that few of those that put themselves under the banners of those religions actually try to embrace fully since they are still hiding behind the blinders that makes them only see one small sliver of the real truth that is reality, pretending thatit’s the only truth when in fact it is only one of many truths if they would just be truthful with themselves and open to honestly embrace the true world peace they claim to want. Be very careful to percieve your world, but also to open your eyes to the true reality that may be bigger than you thought it was in the past. People say that the origin of the phrase scapegoat comes from an old farmers ways of doing things in the olden days where he’d let a goat lead the lambs to the slaughter house… Be careful not to be led directly to your own distruction by old goats. Some teachers of the truth have a lot to offer, but just remember, sometimes, their truths may not be the entire truth, and sometimes you should open your eyes a bit so that you are not blinded completely when one small ray of sunshine is in your eyes, making you wake up from a dream, but it really is not a ray of sunshine – just an artificial 100 watt bulb that someone switched on. There’s a lot more to reality than we can know in totality in human lives. Don’t go to war to protect your truth when your truth may only be part of the truth… Do uphold your truth, but remember to always think about why you believe your truth is THE Truth. I am probably truly confusing myself now and you too with all this rambling… so I’ll quit now while I’m at least partly ahead.
Just for reference and historical information, I’m going to list my old blogs, and possibly old websites here if they still exist. This right here that you are reading now is my real blog for today and going foward in time, but I’m going to link to my old blogs from here for my own reading and for yours too if you want. I am going to do that so that there’s a link back and forth between here and there so that you can see where my thought processes have been in the past, and I can too… since there’s a lot of themes and ideas that I come back to over time…
http://oldnewsstories.blogspot.com/ – the idea with this was to edit public domain news stories in the archive since the text that came from the scan was horrible…
http://midnightmoonrunner.blogspot.com/ – this was a highly cliche’ identity thingy for me a long time back…
http://paintstorm.blogspot.com/ – When I get creative I become like a storm… it starts slow, then speeds up and goes hyper with thousands of ideas crossing my mind silmultanously… but there’s a constant quite in the storm… sort of similar to the search for IT in Jack Kerouac’s On the Road
http://role-playing-onion.blogspot.com/– I used to role play a lot back in high school, college, and some after that too, at least in my mind and online…
http://poet-traits.blogspot.com/ – I envision poet-traits as more or less portraits created with poety describing the individual or quoted by the individual where the lines of the poetry are shaped with curves and splines and things to create the face of the individual. I used to do a lot of drawings like that back in college somewhat in sketch books… sketch books are probably best for it, or something like illustrator or inkspace… but sketchbooks are best because of the immediacy of the work and the fact that it’s easy to just keep turning the book and the drawing instrument..
http://satelliteman.blogspot.com/ – I’m in to FTA Satellite…. It’s a neat hobby.
http://entropia-delight.blogspot.com/ – this was my first Entropia Blog…
http://jeffthomannart.blogspot.com/ – This was my latest art blog…
http://haikumostdays.blogspot.com/ – I like writing haiku sometimes
http://mariasgoods.blogspot.com/ – this was another Entropia blog from the days when Maria did not own a shop yet and did street trading in Port Atlantis and Twin Peaks.
http://jeffthomannsart.blogspot.com/ – This was another take on an art blog…
http://obscuremissourilaws.blogspot.com/ – This never went far… but studying the laws, there is a lot of loopholes and plainly stupid things going on, not just in Missouri, but everywhere.
http://photogametry.blogspot.com/ – 3d math and the stuff behind 3d animation is fascinating.
http://harm-onica.blogspot.com/ – I have a harmonica but have not ever learned to use it yet. I was going to learn a while back since my wife and I carpool and worked different hours. I was going to try to practice the harmonica while waiting in the car for her, but never got too far with it because, as you can tell by reading this post, I’ve got a lot of hobbies, and so never found the time to master the harmonica (yet)
http://jeffsdoodles.blogspot.com/ – This was another art blog – based on quick little works…
http://spameaters.blogspot.com/ – I was going to try to copy spam, but decided not to go on with it after a few posts since lots of other websites are out there and it’s stupid to actually make that stuff popular.
http://three-d-news.blogspot.com/ – 3d industry is fascinating. I read 3d World, HDRI magazine, and a lot of other various publications sometimes… also visit lots of forums related to the industry.
http://publicdomainremix.blogspot.com/ – I love public domain stuff and editing it.
http://grababeat.blogspot.com/ – I was going to try to do some music since I own a midi keyboard and a voice recorder, but never got too far with it. I still like the idea of mixing things up like that.
http://720x480doodles.blogspot.com/ – I was going to do doodles that were 720×480 pixels… but never got far with it really… sort of a silly format to go with…
http://knowledgeyoucanuse.blogspot.com/ – this was a good idea blog, but I never did much with it. This blog will likely have good ideas mixed in with various posts as we move forward in time.
http://jeffthomann.blogspot.com/ – real original… lol… almost as good as jeffthomann.wordpress.com, 😉
http://makesomemoneyrightnow.blogspot.com/ – My wife and I are in to online businesses. I was going to try to explain to people my experiences with all of that… I still probably will in this blog since this is my ONE blog moving foward…
http://5×7-doodles.blogspot.com/ 5×7 inch drawings and doodles… I love that format since it’s a size that can be used in postcards on cafepress, and is also a size that fits in 5×7 inch picture frames, and also can easily be shrunken down to artcard sizes.
http://archaicsymphony.blogspot.com/ – this was going to be a music and public domain remix blog, but someone else already was using that same basic name on a website, so I gave up on it quickly.
http://great-quotes.blogspot.com/ – I love reading quotes, especially from artist and other creative individuals. I may do a few quotes in this blog moving foward in time since this is the only blog I plan to keep moving forward…
http://publicdomainartbyjeff.blogspot.com/ – I love public domain works and was thinking about creating some of my own public domain works. I might still do this in the future.
http://hackinghealthcare.blogspot.com/ – I work for a University Hospital. I was going to use this blog with a false name since I may have revealed some basic info that some might see as trade secrets, or at least things that would make the organization I work for look not so great since there is a lot of little dirty secrets out there that most folks don’t necessarily know about in the public. I may still do a tidbit now and then but will be careful to word things so that I am not putting my job at risk… especially since this blog makes it very apparent who I am by the name on it…
This space will is reserved for a list of 3d and 2d editing software that I’ll drop in here in the near future, and/or build over time. I don’t have time to list it all right now, but am putting this here as a sort of reminder to myself to come back here later and add more. There’s tons of great 3d and 2d freeware and shareware out there as well as higher end stuff. I’ve played around with quite a bit of it and will post my comments on each one I have some experience with here.
Blender – http://www.blender.org/
Wings 3d – http://www.wings3d.com/
Project Dogwaffle http://www.thebest3d.com/dogwaffle/free/index.html
I’ll add more to this list over time… You might want to book markt it! 🙂
=== note to self – http://forums.cgsociety.org/showthread.php?p=6717946#post6717946
Also add more like it.. other lists have been in various forums before.. but forums disappear over time. Blogs can too, but not as easily all the time.
I have over 9000 total published assets at Turbosquid at this point in time. I’m always adding more now and then. I love walking around with a digital camera taking texture photos of wood grain, bricks, concrete, asphalt, and a lot of different things, and taking reference shots of clouds and a lot of other things now and then. I also love taking a camera with me on vacation to various places around the country to shoot as many things as I can. I see the camera as a simple little “light” version of a sketchbook for me. I have always been interested in texture photos and can fondly remember finding out about texture photos the first time by visiting websites way back in the early 1990s when this stuff was all brand new and everyone was using early versions of photoshop that could not do much. Most of my photos on turbosquid are taken directly out of a camera card, without edits. I do sometime edit if I need to remove some copyrighted or trademarked element from a photo, but these days, I’m mainly trying to stay away from putting that stuff in the lens in the first place.
I’ve started a number of various blogs on blogspot.com in the past on a wide variety of topics, but never got many or any of them too far because I would start something, get on to another topic, abandon the blog, and not come back to it later. I am sort of doing a “redo” here and starting over from scratch here on wordpress. I’m doing this so that I have ONE blog and only ONE blog… I’ll post a link to this ONE blog from my multiple other blogs later so that they all eventually lead you here. I like it over here a lot better than over there because here you can do tags and things a lot easier.
I’ll warn you now… I’m a bit of an eccentric individual with a lot of various hobbies, interests, and things, so will likely post about a lot of different things over time. I’ll try to post Tags to each entry to make it easier to maneuver around the upcoming massive amount of posts about all sorts of things under the sun… I’m in to drawing, painting, 3d animation, photoshop, sketching, video gaming, role playing, theater, the tech side of movie making and theater, art history, free-to-air satellite reception, internet tv, and a lot of other things.
A little about me… I’m a 30 something (possibly 40-60 something by the time you read this) year old, married man. I live in the mid-west. I have a BFA in Studio Art,with an emphasis in painting, and a minor in Theater. I graduated from Truman State University in last century (December, 1999). I have the most amazing child who was recently born! We love her dearly.
I love oil painting, but don’t paint much these days due to lack of time and lack of a studio with a descent ventilation system. Instead, I doodle with color pencils in my sketch books and panels in my spare time, or mess around with creating sketchy type things in Photoshop, MS Paint, 3d Blender Portable, Lightave 3d, or whatever other artsy tools I can get my hands on at the time.
When I graduated from college, I had a lot of interests in finding ways of combining my backgrounds of theater and art, and found myself studying 3d animation on my own. Because of that, I got in to Newtek’s Lightwave 3d, which at the time was the only halfway descent priced 3d package on the market that could do some descent levels of animation. I never got too far in to doing a lot of in-depth animation projects with that because I didn’t have time to create a lot of stuff, and also constantly found myself having hard drive failures, cds that got busted due to improper storage, and other hardware problems that erased everything. I might get back in to it eventually.
I also like taking digital photographs of various objects and textures that I use for reference photos or to upload as reference photos for others on Turbosquid. I like Turbosquid vs other places because it’s more forgiving to people that upload things without doing a lot of editing. I like for photos that are reference shots to stay unedited so that there’s more of the direct just shot looks and feel to the photos, making it like an unblemished, raw material ready for an artist to pick it up and mold it in to something on their own.
I like playing and creating video games, but have not really done any real video game creation full scale yet. However, I have several tools to do so if I venture in to that someday – Photoshop 5 LE, Torque Game Engine, 3d Rad, 3 Impact Game Engine, Lightwave 3d, Motion Builder, and a lot of various 3d and 2d packages that I’ve picked up for cheap or free on magazine cds over the years, or outright purchased.
I like poetry. I would not mind writing a book or play someday. I have tried to write for nanowrimo before, but never completed the book that year since it was the year we bought our house in the same month that I was trying to do that. (We don’t have that house any longer, but it was a nice accomplishment for me to obtain it, a wife, and dog all by age 30! 🙂 )
I will post more later. I’m out of time right now. Thank’s for visiting. Hope to see you here again.