A few 5″ x 7″ doodles

These are a few 5″ x 7″ doodles on hard board. These works, among others, were presented to my brother in Texas as a Christmas present this year (we met them halfway in Oklahama City yesterday and drove all the way back last night getting home around 1:30 am – fyi – If you are looking for 435 in Kansas City, DO NOT TAKE 135 after the toll booth – take 35 instead! Also, there’s a nice little connector off of 435 that will let you hook over to just south of the Independence Mall that we found for the second time on accident last night – nicely done happy accident since that saved us some time – hard to miss that connector since it veers off to the right so it’s really an exit but seems to not be). Any work that is ‘from the imagination’ instead of depicting something like an illustration or drawing from life, I consider a “doodle.”

The color ones are mainly color pencil or color pencil sticks. The white one is china marker. There’s also a little China marker in some highlights on some of the color ones since I like to use china marker and prismacolor color pencils as top layers to add extra ‘punch’ to Crayola and Roseart (cheap color pencil) underlayers that get worked and reworked over and over. The white of the china marker can’t be beat nor can the pigment in the Prismacolor for the final touch.

Many artists use Prismacolor only and never use other brands. I think that’s just wasteful spending since Prismacolor color pencils average about a dollar a piece and on some really layered works I can rework an area enough to burn several pencils on one drawing sometimes. For underlayers expensive pigments in Prismacolor is not needed if you are going to work, re-work and then re-work again a few hundred times as I like. It is a nice touch for top layers, but for underlayers, it can get very expensive very fast for something that I’ll just essentially erase away and smudge to death so that the pigment itself isn’t visible anyways as it gets coated by layer upon layer of wax with more new layers on top.

In the upcoming year I plan to create many more 5″ x 7″ works. I love this size since it’s exactly twice the size of traditional “art cards”, exactly the same size needed for postcards or framed reproductions, and is just right for travel or hanging in a home vs larger works that work better in galleries that have tons of wall space.

I’m also starting to experiment a little bit with mixing color pencils and oil pastels with encaustic painting (wax painting that basically mixes oil color with a mixture of bees wax, paraffin wax and some manmade waxes to add more durability as bees wax and paraffin are both extremely brittle under certain conditions). I’m not sure I can do much with it since the encaustic doesn’t take the color pencils too well, but if the color pencils are the lower layers it might lead to some interesting potential as the encaustic can be layered three dimensionally much more than flat color pencils can by themselves.

I probably don’t have enough room for it now where we are currently located, nor will I for the next few years, but I’ve always wanted to experiment with mixing plaster sculpture and encaustic painting techniques someday. That’ll be many years down the road though. This upcoming year I really want to focus on the 5x7s and really ‘learn’ all the techniques and tricks I can about working on these small panels.

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Triple Self Portrait

Photobucket
Triple Self Portrait
Pastel on Paper
© 1999, Jeff Thomann

This drawing was created in Missouri Hall at Truman State University in Kirksville, MO. It was done for a drawing class. I was in to ‘role playing’ a little at the time. The figures in the background were playing Dungeons and Dragons, and I was halfway playing that too.. Needless to say the gaming group was not too happy that I was drawing while they were actively sitting around the table, lol. That was about my extent in role playing D&D. I never could get too much in to it. I hated that all of their books were so expensive and usually hard back while Palliadium books were usually 20 bucks or less and soft back, so much cheaper. That, and I just liked the whole playing in modern environment vs the old medieval ideas in D&D…

as far as the cracked mirror/split mirror idea goes, it’s something that’s a theme in some of my self portraits. It’s a visual metaphor that has a lot of different meaning.

Made a lightbox today! :)

Just made a light box today. Had several 11″x7″ hard board sheets that I was originally going to use to draw on or paint on. Still have many of those for that but 5 less now because they are now my new light box… amazing what duct tape, hard board, and an old light off of a broken drawing desk, and a sheet of old plexi glass from many years ago can do when used together. 😉

Ended up taking the sharp edge of one of my many chisels since I used it as a plexi-glass cutter. It worked well though and I have plenty of other chisels. Hopefully the 60w lamp won’t melt the plexi. As long as I don’t make my sessions using it super long I don’t think that’ll be a problem. If it is, plexi is easy to replace. I probably should be using glass instead of plexi but since I’m planning on using a lot of pointillism techniques that will require a lot of banging a pencil against it I figure plexi is better since it’ll hold up where glass would just break. Thinking about using crayon/color pencils on this and then using that as carbon paper sort of to transfer the image on to the boards as base layer/underpainting for the encaustic panels, burnishing the back of the paper as it lays on the encaustic, etc. I tried testing a little today with a transfer bit on my wood burner but that didn’t work at all since the heat was too hot and caused the wax to actually melt in to the paper, so got to do this cool on cool, no heat applied. In theory it should work, somewhat. Still not sure if the encaustic and color pencil waxes will merge/melt together well but in theory they should I think. I think wax pencils have a parraffin type wax in them. If it doesn’t work well I may have to use crayons/wax pencils instead of the color pencils. Not sure I like that idea though since I want pigment in this and most crayons have way more wax than pigment. Color pencils are more leaning the other way a bit.

I made the light box since I think it’ll be easier process of photo to paint surface transfer that will work better than the crazy poke holes in pictures technique and pounce afterwards that I was planning on using. Still may use that sometimes, but it’s a really non-drawing type of thing so I’m not sure it suits my style/technique so well.